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Apocalyptic Celebration–Christmas.

Apocalyptic Celebration–Christmas, Manuscripts, computer graphics/Sculptural light box, 100x80cm
By Higer .In 台北當代藝術館(MOCA Taipei) 
〈末日節慶─聖誕節〉是具有諷刺意涵的燈箱裝置,自古以來節慶與人類有著密不可分的關係,
但末日的到來為人類帶來了滅亡的危機,也引發了聖誕老人害怕擔憂因為無人過節而被人類遺忘的恐懼
為了讓自己可以永遠存活在人們心中,因而聖誕老人綁架人類,將人類填入防毒面具中取代活性碳,
過濾遺忘聖誕節的氛圍,轉而吸取人類對聖誕節的回憶。藉而繼續生活在聖誕節中

燈箱裝置中呼吸面罩的部分配合燈光的呼吸與明暗模擬人類與聖誕老人的呼吸與互動
 

“Apocalyptic Celebration – Christmas” isa light box installation that uses irony as its expressive method. Humankindhas always been intricately connected with celebrations. As the end of days predictions causes anxietyabout extinction in people, it has also aroused the fear in Santa Clause that nobodywill be around to celebrate and hence he will be forgotten. In order to save himself and to avoid theextinction of the human race, Santa Clause kidnaps people and pushes them intogas masks in place of active carbon to filter out the virus that may causepeople to forget about holiday celebrations.
Apocalyptic Celebration–Christmas.
Published:

Apocalyptic Celebration–Christmas.

〈末日節慶─聖誕節〉,手繪、電腦繪圖/立體燈箱,100x80cm Apocalyptic Celebration–Christmas, Manuscripts, computer graphics/Sculptural light box, 100x80cm

Published: