Yaporigami:

 

Beat orientated music project of Japanese electronic music artist Yu Miyashita. Active since 2005 Miyashita has released a total of 10 recordings including albums and EPs in both physical and digital format on independent labels such as Detroit Underground (US), Hz-records (JP) and +Mus (JP). "Drudged Torn Routine" (2014) on Detroit Underground has been featured for Top Albums 2014 on French SWQW Magazine. Miyashita performs across a spectrum of Japanese venues to include Dommune, eleven, Liquidroom, Metro, Super Deluxe, Soup, Unit, Womb, WWW and British venues Concorde2, Electrowerkz and Sketch. Miyashita has had Festival appearances at EMAF (Japan), Loop Festival (UK) and most recently headlined the closing party of Transitio_MX (Mexico) together with Vokoi, Japanese visual artist. The music videos "SyncBody" (2012), "The Motion Paradox" (2014), "Lilium" (2015) were widely spread amongst musicians / filmmakers / media working in audio-visual scene. Lithuanian online journal Secret Thirteen featured a mix of Yaporigami as their first Japanese artist alongside others to include Ancient Methods, Demdike Stare, Emptyset, and Peter Rehberg. This mix has ranked #1 for both IDM / Industrial categories on Mixcloud trending chart. Miyashita will be releasing from several independent labels during 2015.

 

"All the tracks were crafted soon after the release of an album “Hertzian” on Japanese Hz-records in 2012. Looking back what I was doing at the time creationwise, I have realised that I was challenging to shift my music into more Techno orientated direction using texturaly intriguing / synesthesic sound fragments. Furthermore gradual / constant change / addition of layer(s) in sequence was my focus as well. “A Hectruer Truer” is a carefully compiled selection of those tracks for FF’Space exclusively."

RELEASE`s NOTES: 

 

FF`Space is happy to present a new fragment /FFS006/ from a recent FF`S Unit: Yaporigami / FF`S UNIT 0000 / - “A Hectic Truer” CD audio. During the conversation, Yaporigami is presenting his material as some architectural sound, based on archetypes. What kind of archetypes we see during the listening process and could the sound talk about something more than just time based structures? After the listening process sound involves us to see worlds which are hiden and unexplainable in between of constant and rhythmic structures of the music layers. Infra-structure of such a system becomes visible after switching an attention from strict rhythmic pulsations to the back side and nearby processes. This masterpiece from Yaporigami explains new opportunities of the sound to be discovered.

Graphics:

 

Algorithmic B/W graphics is produced by Andrey Yamkovoy - Ukrainian digital artist in the fields of visual design, graphics and interaction.