My works in Semblance of Order contain ruptured marks generated through unsaid thoughts and feelings that began to surface during my extended stay in Australia. The marks are not what they seem to be and cannot be read, making the work encrypted invitations, where one must dip into their own cache of signs and symbols to decode them. The stitches, repetitively performed, allude to the printmaking process where every edition pulled through the press is like a stitch in time. Such marks cross-temporal and spatial boundaries, reconfiguring narratives and creating new meanings.
Seamless, 2013, Silkscreen on the entire role of Japanese Kongo white rice paper, Scroll size: 25 cm x 11 m (9.8 in x 36ft), USP -blue, Installation dimensions variable
Seemingly horizontal, 2013, Silkscreen on BFK Rives 300gsm paper, Image size (bleed print): 104 x 19 cm
(41 x 7.5 in), Edition of 12
Seemingly Vertical, 2013, Silkscreen on BFK Rives 300gsm paper, Image size (bleed print): 104 x 19 cm (41 x 7.5 in), Edition of 12
Seemingly Quiet I, 2013, Etching on Velin Arches 300gsm paper, Image size 25.5 x 37 cm (10 x 14.5 in)
Edition of 12
Seemingly Quiet II, 2013, Etching on Velin Arches 300gsm paper, Image size (bleed print) 25.5 x 37 cm (10 x 14.5 in), Edition of 12
