Oscars Effects nasce dall’idea di voler trattare tramite interviste, confronti e riproduzioni gli SFX e VFX dei film che nel corso degli anni hanno vinto l’ambito Oscar per gli Effetti Speciali. Ad ogni uscita verrà presentata una pellicola diversa analizzando le sue particolarità.
Rubrica ideata e realizzata da: Noemi Bodino, Michela Pratola, Giulia Tasca.
----------------------------------------------------------------------
Oscars Effects was born from the idea to talk about, throughout interviews, comparisons and reproductions, SFX and VFX of films that over the years won the Oscar for Special Effects. In each release it will be presented a different film and its characteristics.
Section designed and built by: Noemi Bodino, Michela Pratola, Giulia Tasca.
Mary Poppin's Levels
Two scenes of the film were selected: the jump of Mary Poppins and Bert with the children
into the picture and the scene of the Penguins that greet Mary.
Using a simple reflex take some shoot on a moving subject near an outside wall with natural light, reproducing the two scenes.
Once you have downloaded the recorded material you proceed with the processing in After Effects.
Using a simple reflex take some shoot on a moving subject near an outside wall with natural light, reproducing the two scenes.
Once you have downloaded the recorded material you proceed with the processing in After Effects.
The Lord Of The Rings
In this video we explained how we did two famous VFX used in the "The Lord Of The Rings" trilogy:
Crowd Duplication
Matte Painting.
Crowd Duplication
Matte Painting.
The Curious Case of Benjamin Button
In this video the makeup artist Mila Mirenghi explain us what are the aging techniques
used for "The Curious Case of Benjamin Button" and the integration with the Computer Graphics.
Inception 'Rotating Room'
Inception uses mainly mechanical systems to achieve special effects.
For the realization of this video, we have selected three scenes of the film, structuring it in as many chapters:
For the realization of this video, we have selected three scenes of the film, structuring it in as many chapters:
Cubic City, Gravity and Spin Liquid Revolution.
To play them, we built a set used for the composition of each scene.
To play them, we built a set used for the composition of each scene.
