The search that I effect through my photos is always founded on theinteraction among different forms of energies caused by the man orartificial. The light and the relation that it establishes with themetropolitan landscape  is at the base of my artistic search. Thisinteraction is a form of energy. The use of the color in my photos isfunctional because with the blue and the yellow I try to represent twodiacronics moments but belonging to an only instant. The color isallowed to flow in the time while the instants pass fast and overlappedto the things to represent the instant that passes, that runs awaywithout being seen. The space in relationship to the time is created byinstants that they can have put in sequence.  Are photos that seizeupon the human presence, representing a subject that lives inside theurban scenery investigated through a technique that I have called .This technique allows to reconstruct urban sceneries where differentinstants and overlaps of forms are mixed. In the photos the blue andthe yellow represent the before and the later, represent two diacronicsmoments but belonging to an only instant. The temporal element becomesfundamental, in how much the dynamics are investigated with which thespace is perceived in different way through to flow some timeindividualized by every frame that has been overlapped to the other torecreate the final image. It is as if the time was frozen and theenergy in them contained makes to appear clearer the relationships thatexist among the before and the after an instant, among the creation ofthe energy and its use, its inevitable exhaustibility. In the whilethere is being everything one world, further instants that can repeatto the endless one the creative logic of the same images, as in a sortof urban fractal. The proposed photos refer to a ampler artisticproject denominated: . In this project isinvestigated the actual change of some European cities as: Milan,Basel, London, Zurich and Naples. The photographs capture human beingswithin the urban landscape: the interaction and the symbiosis betweenthe place, often including the road, and people is examined. What youcan touch and see is associated with the pictures where human presenceappears and disappears.