(Im)perfeição Gráfica
By bringing together examples of work that utilized analog methods or resources, this book proposes a reflection on the use of such resources, now considered outdated. The book has sessions dedicated to the fields of Letterpress, Screen Printing and Woodcut; and Collage and Analog Photography were also objects of study in the research, as they illustrate one of the implications of the Digital Revolution in the creative industry: the behavior of returning to the origins. The book was designed as an academic project for a class at UEMG (Universidade do Estado de Minas Gerais). It was printed at AsterGraf and binded by Frente e Verso, both at Belo Horizonte, Brazil.
By bringing together examples of work that utilized analog methods or resources, this book proposes a reflection on the use of such resources, now considered outdated. The book has sessions dedicated to the fields of Letterpress, Screen Printing and Woodcut; and Collage and Analog Photography were also objects of study in the research, as they illustrate one of the implications of the Digital Revolution in the creative industry: the behavior of returning to the origins. The book was designed as an academic project for a class at UEMG (Universidade do Estado de Minas Gerais). It was printed at AsterGraf and binded by Frente e Verso, both at Belo Horizonte, Brazil.
