In 2009, authorized by Wind Music International Corporation, he also designed record cover for trans-musical artworks of “Tathagata” by maestro He Xun-tian. He and his wife Hui-Chen Naomi Huang., also a designer, worked in conjunction to hand-drawn Bodhi’s leaf vein, exemplifying the design concepts characterized by refreshingly pure state of “void” and “oneness”. In addition, they applied book-folding method to bring out the binding mode for bilingual illustrations. Their innovative approach defeated the rest of 10 thousands plus albums participated to the contest and nominated for a 52nd Grammy award (Best Recording Package) in 2009. Undoubtedly they deserved the recognition dispensed from those who at world-class professional accreditation level. Again, he became the one who followed the footstep of Qing-Yang Xiao, who had been on the finalist of Grammy Awards three times so far, needless to say, Cheng, the Taiwan designer once again, brought home the glory for the design profession in Taiwan.