挑選一張「過度曝光」的底片照做為主視覺，設計上，刻意把照片打橫，讓正封只露出非常些微的「餘燼」，那是影像的餘燼，也是記憶的餘燼，餘燼之外的大量留白（片頭過曝部分），就像是那些過往旅行中數不清、模糊、想不太起來的回憶。循著餘燼而下，攤開書衣全貌時，好似回想起當初在路上的點點滴滴......內封以單色黑印刷於灰紙板上，營造出摩擦過的痕跡，粗粗纖維，好似旅途所有相遇過的顛簸卻鮮明的印記。

 

Pick a " overexposure negatives " do mainly visual, design, deliberately photo Tasikmalaya, so being blocked only very slightly exposed "embers" that embers images, but also beyond the embers of memory, embers a lot of blank space (overexposed section titles), like those in the past countless trips, fuzzy, think it's not quite recall. Follow the embers down, when spread out clothes picture book, like the original recall bits and pieces in the road ...... monochrome black letters printed on gray cardboard, creating a friction traces, rough fiber, like all met over the bumpy road, but a distinctive mark.