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    The case of Cubica_2 font. Creative process, applications, exemples, etc.

Cubica's project began in 2008, during my first year in college. As a final test, my professor challenged us to design a font and a typographic poster for a movie using that specific font.
At that time I created Cubi-k, a geometric alphabet that obeys some rules (e.g.: each character has to be monospaced, to be the result of a sliced square by a limited number of lines and angles, must not contain any rounded part, etc). I chose the movie "Cube 2 - Hypercube" as theme. The final art can be seen below.
The alphabet above belongs to Cubica_2, an improved version of Cubi-k. The spaces between letters and the slices in in them are wider and clearer, so although they still form a visual unity, as a dense dough, it's possible to see the ways through its shape, like many veins or even a big maze.
My business card. Cubica_2 is my visual identity, basically.
I use the letter D (in Cubica_2 style) as a symbol of my work, but it's not a standard.
Cube 2 - Hypercube
(Cubi-k font)
Cubica_2 alphabet, character by character in a big size.
I designed Cubica focusing in keeping the characters always together in order to create vast possibilities of application. I call the concept by Typographic Wall. It's not difficult to mix characters to find beautiful geometric patterns or just joining them randomly to form cool font mazes.
This is the first and second typographic t-shirts I designed based on Cubica_2 font (front / back arts). I plan to create another ones and explore more and more the Cubica family potential each time a stamp will be designed.
The first ones keep the primal concept of the Cubica family and brings some elements back from the fontwall: solid and basic visual, focused on the shape and using color as contrast.