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    I often create calligraphy logos and lettering for a variety of businesses and individual customers, starting from mobile apps to innovative educ… Read More
    I often create calligraphy logos and lettering for a variety of businesses and individual customers, starting from mobile apps to innovative educational projects. These are my favorite works of 2014–2015. For a logo or lettering, do not hesitate to contact me: olena.myshanska@gmail.com Read Less
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I often create calligraphy logos and lettering for a variety of businesses and individual customers, starting from mobile apps to innovative educational projects. These are my favorite works of 2014–2015.
For a logo or lettering, do not hesitate to contact me: olena.myshanska@gmail.com
This logo was made for a mobile application. The app helps memorize words of foreign languages. You can download the application here
A monogram for Artur Shramko, a web designer.
My personal logo is also one of my favorite works.
This is a personal logo of Maria Obelchak, a material designer. Learn how it was created
Logo for a fashion designer
A logo of a private ethnographic museum called Khutir Savky. Created during the workshop of famous calligraphers Victoria and Vitalina Lopuknina.
Welcome to see more here
 
 
A logo for creative atelier Blank Note that focuses on making high-quality leather accessories and products for creativity.
A logo for a kindergarten in Kharkiv named Dekart (Descartes). Created in collabration with Ozidea studio
Art direction: Natali Zakashanskaya
Calligraphy: Olena Myshanska
A logo for a curiosity shop in Kolomna (Russia) Divo Divnoye.
Created in collabration with Ozidea studio
Art direction: Natali Zakashanskaya
Calligraphy: Olena Myshanska
Redesign of the logo of Ozidea studio. In collaboration with Ozidea studio
Art direction: Natali Zakashanskaya
Calligraphy: Olena Myshanska
I had to redesign the previous logo of the studio while keeping it recognizable and preserving the style.
Lettering 'Everything will be OK'
This lettering was created during the workshop of Kirill Tkachov
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