Place and Narrative: Initial recordings of Biblical imagery inspired by a trip to Liverpool Metropolitan Cathedral.
Place and Narrative: Painting inspired by colour schemes and gothic imagery within the cathedral.
Place and Narrative: Developing imagery and composition to produce an image prototype.
Place and Narrative: Further images exploring alternate colours inspired by the stained glass within the cathedral and text manipulation that represents the irrelevance of some biblical ‘messages’.
Place and Narrative: Posters displaying development from previous work to use the individual images as segments within the stained glass. The faded and muted colour scheme symbolises the fading ‘messages’ of religion.
Place and Narrative: Exploring distorted and warped text – biblical ‘messages’ becoming confusing and therefore outdated. Sketchy A3 Ink paintings of Jesus allude to the uncertainty of such messages.
Constructivism research project: Mark making explorations used to explore mood, texture and form using charcoal and graphite sticks.
Constructivism research project: Analysis of composition through drawn studies following an established colour scheme inspired by the work of Alexander Rodchenko.
Constructivism research project: Sketchbook charcoal and red pen studies looking at Russian Constructivist and militaristic imagery. Collage work explores a contemporary version of subject.
‘Obsessed’ Animation: The individual images that combined to create the animation. Expressive drawing used to depict the irrationality and movement more vividly in the animation. Drawn on Procreate.
'Obsessed': Final video duration of 7 seconds
‘Receipt’: Initial experimentation inspired by the aesthetic in i-D magazine – ‘Earthrise’ Summer 2022. Warping used as a metaphor for loss of the individual.
‘Receipt’: Handwriting representative of the individual, digital text representing homogenization.
‘Receipt’: Compositional experimentation using sellotape printing.
'Receipt': Images using paint in order to create texture with text layered alongside.
‘Receipt’: Further development.
'Receipt': Developed imagery. A combination of digital and physical ideas in the form of hand drawings, using charcoal and ink to contrast the digital texts and codes.
'Receipt': A5 Zine created, showcasing the ideas explored throughout this project.
Coca Cola advertisement: Final design inspired by nostalgic depictions of Coca Cola in an historical advertisement, inspired by Emory Douglas prints - 1960's.
Coca Cola advertisement: Final Reduction Print and colour alternatives.
