Sometimes I want to escape from the technical rigor that some illustration projects demand, and thus I let the creative process become extremely free. This freedom stems from the principle of thinking without censorship, and so I use simple themes to help with the creation of initial sketches. In the case of this art, I simply imagined a pilot with a different flying machine. But the question that followed was, how would the pilot be, and how could the machine look?
My pilot travels through valleys, mountains, and oceans in search of adventures, riding his friend who also has the ability to fly: a duck and a whale, a strange mix to compose an illustration that I imagined would be perfect for the cover of a children's book.
I didn't make so many sketches, but I decided on one that best represented the ease of the whale's flight and had elements of both the luggage that would be carried and a costume for the duck, conveying the idea of an experienced pilot.
I imagined a gigantic saddle to cover the whale's back, but I didn't want there to be reins, something that still seems too aggressive to me for horses.
The artwork was entirely produced using Krita, and since it was created in stages, the intensive use of layers to explore visual possibilities was extremely helpful. By utilizing layers, I avoided using a large quantity of them and merged them together once I achieved the desired visual aspect for different parts of the illustration.
The tools used varied between the "WaterC Spread," providing a watercolor effect, and the "Stamp Vegetal" texture tool. For other fillings, I employed the digital sketching tool "Basic 3 Flow."
I enjoy imagining the kitchen utensils, tools, and supplies being transported, as well as the curiosity these objects may arouse in those observing the scene.
The book simulation is one of the best ways to present the layout of the idea. A children's book cover inviting readers to explore what could be an exciting adventure.
