I started with an exterior shot (establishing shot), then moved to interior shots and detail shots, finally ending with an exterior shot to link the narrative. I kept an orange/beige colour palette throughout to highlight the architecture's signature colour. For the first triptych, I used natural light to cast harsh, diagonal shadows on the architecture, emphasising its geometry. For the second triptych, the light was softer and evenly lit up the scene, bringing a calmer and peaceful mood.