"Schizophrenic denial"
Schizophrenia or schizophrenia was not in itself an objective topic, but the painting revolved around the refusal to acknowledge the disease on the part of the patient and society.
Schizophrenia, or schizophrenia itself, is a chronic and severe mental disorder that affects the way a person thinks, feels, and behaves. Those afflicted with it may also hear voices that do not exist, or they may believe that other people are trying to harm them, and from here the patient no longer distinguishes between reality and reality and is subject to hallucinations and excessive thinking, which turns him from one state to another completely.
My way of expressing denial of the disease or non-recognition of it was through the old classic character of the painting, and this appeared clearly in the background of the painting due to the scarcity of recognition of this disease and the widespread denial of it in this era, unlike the current era, where everyone has come to acknowledge psychological and mental illnesses and the spread of the idea. Psychiatrists and treatment with them without fear of the gossip of the society around you. The idea that psychological patients are crazy is no longer as common as before, but some minds still maintain their stagnation and lack of recognition of them.
We notice that the model appears with a long haired chin, which is unusual in this era, but it was evidence of the schizophrenic patient’s humiliation and his wandering in the deep sea of his thoughts. The appearance of Islamic artefacts on the walls around him was an indication of his adherence to the Egyptian identity, his love for its culture and its religious culture. Despite his belief in reality and imagination, this was not able to limit his wandering in his fantasies for huge periods of time. Intellectual wandering may reach a point of conflict with his faith, which is entry into the unseen, which leads to He couldn't stop him from straying. From the organization of the office, we see that he was from an aristocratic class, that is, financially capable, and despite that, he denied the disease, and his denial was not related to the subject or cultural level, as education at that time was limited to the able and talented only.
Schizophrenia or schizophrenia was not in itself an objective topic, but the painting revolved around the refusal to acknowledge the disease on the part of the patient and society.
Schizophrenia, or schizophrenia itself, is a chronic and severe mental disorder that affects the way a person thinks, feels, and behaves. Those afflicted with it may also hear voices that do not exist, or they may believe that other people are trying to harm them, and from here the patient no longer distinguishes between reality and reality and is subject to hallucinations and excessive thinking, which turns him from one state to another completely.
My way of expressing denial of the disease or non-recognition of it was through the old classic character of the painting, and this appeared clearly in the background of the painting due to the scarcity of recognition of this disease and the widespread denial of it in this era, unlike the current era, where everyone has come to acknowledge psychological and mental illnesses and the spread of the idea. Psychiatrists and treatment with them without fear of the gossip of the society around you. The idea that psychological patients are crazy is no longer as common as before, but some minds still maintain their stagnation and lack of recognition of them.
We notice that the model appears with a long haired chin, which is unusual in this era, but it was evidence of the schizophrenic patient’s humiliation and his wandering in the deep sea of his thoughts. The appearance of Islamic artefacts on the walls around him was an indication of his adherence to the Egyptian identity, his love for its culture and its religious culture. Despite his belief in reality and imagination, this was not able to limit his wandering in his fantasies for huge periods of time. Intellectual wandering may reach a point of conflict with his faith, which is entry into the unseen, which leads to He couldn't stop him from straying. From the organization of the office, we see that he was from an aristocratic class, that is, financially capable, and despite that, he denied the disease, and his denial was not related to the subject or cultural level, as education at that time was limited to the able and talented only.
