026 Self portrait black and white
medium used : lino printing and procreate brush
reflection : two different medium were used in this images, for the hair I used lino printing to get grainy texture and bulky curve lines
027 Self portrait black, white and one color
medium used : lino printing and procreate brush
reflection : i used darker shade of blue because that is my original lino printing color for the hair.
028 Self portrait black and white and two color
medium used : lino printing and procreate brush
reflection : I add contrasting warm and cool color to this self portrait to give balance of impression to the whole images
029 Self portrait black and white digital poster
medium used : lino printing and procreate brush
reflection : I add elements that would describe me as an supporting elements to the images. not only reflect my personality, the additional elements also compliment the self portrait as a whole. I blend texture from lino printing into the lines that were added from procreate, to make the image lively and not flat.
030 Self portrait full color
medium used : lino printing and procreate brush
reflection : In this one, i go full all out with the color, add shading with multiply blend mode in my self portrait and frame to add dimension to the overall composition.
Reflection
In today's digital age, the power of images cannot be overstated. Images play a central role in shaping our perception of the world, from personal branding on social media to news reporting and advertising. As someone who is enrolled in DVB102, I have had the privilege of delving into various facets of image design production, investigating its diverse applications and theoretical underpinnings. In this reflective essay, I will explore my 7-week journey in creating images through various media, focusing on five key aspects of image design production: image as documentation, photojournalism through storytelling, persuasive advertising and posters, image as commentary through lino and images reflection of our identity.
Images serve as a powerful tool for documentation. In the first two weeks of my journey, I had the opportunity to capture moments and preserve them in drawings through observation. One memorable project involved creating a series of images by observing the gradual consumption of a chocolate and salted caramel cookies. This process not only showcased physical transformation but also captured stories and evidence of people who ate it, either by breaking it into pieces or taking a bite. Through this project, I realized the responsibility that comes with creating images as documentation. The goal is to capture the present moment and preserve it as information for someone in the future, allowing them to feel or remember the situation.
Photojournalism goes beyond mere documentation; it involves telling compelling stories through images and text. In my exploration during the third week, I focused on creating storytelling through images by reflecting on anecdotal narratives around me. I broke down these stories into phases, including the rising action, climax, and resolution. This assignment became one of my favorites, as I attempted to capture intriguing stories of my friends. I aimed to convey their emotions, settings, and nuances through drawings so that viewers could also experience these aspects and interpret them correctly, frame by frame. I learned that a well-composed story drawing could transcend language barriers; not every panel needed an explanation or speech bubble. By composing stories with clear lines, motion, and context, we can speak directly to the hearts of viewers, urging them to empathize with the stories we provide.
Week four introduced the concept of creating images as a medium to persuade the viewer. This takes a different form altogether. Images are used to manipulate the audience's emotions and desires through what we produce. For this assignment, I chose the topic of deforestation, a weighty and serious issue due to the irresponsible and dangerous actions of those who want to use the land for their own satisfaction. Creating a poster required me to develop key elements related to deforestation by drawing the individual actors involved. This allowed me to imagine the composition of these elements in the poster. Then, I focused on the poster's aesthetic aspects, including line work and color selection.
Choosing the appropriate color for this topic proved challenging. I wanted the viewer to perceive the poster as addressing a serious and urgent matter. However, I did not want
to use bright colors that would convey excitement. Instead, I aimed to make the poster noticeable as people walked by or, at the very least, intriguing enough for them to spend a few seconds examining it. To address this challenge, I chose a color scheme with analogous colors to ensure aesthetic coherence while conveying the message effectively.
During week five, I had the opportunity to explore traditional printmaking techniques, specifically lino printing. This process provided a more tactile and hands-on form of image creation. I learned that lino printing was not solely about creating a particular image through carving but also about the texture produced by carving and cutting the vinyl or lino. Each image turned out to be unique and poetic.
For my lino print project, I focused on environmental issues, specifically wildfires. I created prints depicting the destruction of forests caused by wildfires and the consequences of human activity on these ecosystems. As a novice in lino printing, I found it challenging to carve the blocks neatly, resulting in messy and rough lines. Nevertheless, I enjoyed the process of creating images with lino blocks, even though there was much room for improvement. To overcome these challenges, I combined the results of my lino prints with digital tools to create a more coherent poster that aligned with the message I wanted to convey.
In week seven, I explored how images play a role in self-representation and the shaping of our identity. The images we create of ourselves contribute to our self-perception and how others perceive us. For this assignment, I emphasized a distinct feature of myself that represents my physical appearance: my dark, curly hair. I attempted to recreate the texture of my hair using lino printing and combined it with digital media to compose a coherent poster that aligned with my self-identity.
Image design production is a broad field with numerous theories and applications that extend beyond aesthetics and technical skills. It involves conveying messages, telling stories, and shaping perceptions while applying the skills learned in the studio. Throughout my journey in this assignment, I have come to appreciate the power and responsibility that comes with creating images. As a student of design, I continuously feel challenged and inspired by the skills and mediums used to create images. It is a sector where creativity, ethics, and communication converge, reminding me of the powerful impact that images can have on our understanding of the world and ourselves.
Images serve as a powerful tool for documentation. In the first two weeks of my journey, I had the opportunity to capture moments and preserve them in drawings through observation. One memorable project involved creating a series of images by observing the gradual consumption of a chocolate and salted caramel cookies. This process not only showcased physical transformation but also captured stories and evidence of people who ate it, either by breaking it into pieces or taking a bite. Through this project, I realized the responsibility that comes with creating images as documentation. The goal is to capture the present moment and preserve it as information for someone in the future, allowing them to feel or remember the situation.
Photojournalism goes beyond mere documentation; it involves telling compelling stories through images and text. In my exploration during the third week, I focused on creating storytelling through images by reflecting on anecdotal narratives around me. I broke down these stories into phases, including the rising action, climax, and resolution. This assignment became one of my favorites, as I attempted to capture intriguing stories of my friends. I aimed to convey their emotions, settings, and nuances through drawings so that viewers could also experience these aspects and interpret them correctly, frame by frame. I learned that a well-composed story drawing could transcend language barriers; not every panel needed an explanation or speech bubble. By composing stories with clear lines, motion, and context, we can speak directly to the hearts of viewers, urging them to empathize with the stories we provide.
Week four introduced the concept of creating images as a medium to persuade the viewer. This takes a different form altogether. Images are used to manipulate the audience's emotions and desires through what we produce. For this assignment, I chose the topic of deforestation, a weighty and serious issue due to the irresponsible and dangerous actions of those who want to use the land for their own satisfaction. Creating a poster required me to develop key elements related to deforestation by drawing the individual actors involved. This allowed me to imagine the composition of these elements in the poster. Then, I focused on the poster's aesthetic aspects, including line work and color selection.
Choosing the appropriate color for this topic proved challenging. I wanted the viewer to perceive the poster as addressing a serious and urgent matter. However, I did not want
to use bright colors that would convey excitement. Instead, I aimed to make the poster noticeable as people walked by or, at the very least, intriguing enough for them to spend a few seconds examining it. To address this challenge, I chose a color scheme with analogous colors to ensure aesthetic coherence while conveying the message effectively.
During week five, I had the opportunity to explore traditional printmaking techniques, specifically lino printing. This process provided a more tactile and hands-on form of image creation. I learned that lino printing was not solely about creating a particular image through carving but also about the texture produced by carving and cutting the vinyl or lino. Each image turned out to be unique and poetic.
For my lino print project, I focused on environmental issues, specifically wildfires. I created prints depicting the destruction of forests caused by wildfires and the consequences of human activity on these ecosystems. As a novice in lino printing, I found it challenging to carve the blocks neatly, resulting in messy and rough lines. Nevertheless, I enjoyed the process of creating images with lino blocks, even though there was much room for improvement. To overcome these challenges, I combined the results of my lino prints with digital tools to create a more coherent poster that aligned with the message I wanted to convey.
In week seven, I explored how images play a role in self-representation and the shaping of our identity. The images we create of ourselves contribute to our self-perception and how others perceive us. For this assignment, I emphasized a distinct feature of myself that represents my physical appearance: my dark, curly hair. I attempted to recreate the texture of my hair using lino printing and combined it with digital media to compose a coherent poster that aligned with my self-identity.
Image design production is a broad field with numerous theories and applications that extend beyond aesthetics and technical skills. It involves conveying messages, telling stories, and shaping perceptions while applying the skills learned in the studio. Throughout my journey in this assignment, I have come to appreciate the power and responsibility that comes with creating images. As a student of design, I continuously feel challenged and inspired by the skills and mediums used to create images. It is a sector where creativity, ethics, and communication converge, reminding me of the powerful impact that images can have on our understanding of the world and ourselves.
