О проекте:
Иллюстрации к книге Юлиуса Фучика «Репортаж с петлёй на шее».
Проект выполнен в рамках обучения иллюстрации, и является моим желанием почтить память журналиста, который был верен своему делу и правде до самого конца — 8 сентября 1943 года.
Проект выполнен в рамках обучения иллюстрации, и является моим желанием почтить память журналиста, который был верен своему делу и правде до самого конца — 8 сентября 1943 года.
О книге:
Книга написана чехословацким журналистом Юлиусом Фучиком, находившимся в заключении в тюрьме гестапо. Эта книга, написанная во время Второй мировой войны, к сожалению, не теряет своей актуальности до сих пор.
Об иллюстрациях:
При выборе стиля для иллюстрация я остановилась на скетчинге. Скетчинг подходит под атмосферу книги и стиль повествования автора — это не холодное описание происходящего, а художественное произведение, с описанием личностей и характеров людей. Прерывистые линии подчёркивают то, что автор писал эти тексты тайком, с перерывами на допросы следователей и досмотры надзирателей. Плавность форм и наличие цветов, хоть и в ограниченном количестве, подчёркивают позитивный настрой журналиста и его любовь и веру в людей.
About the project:
Illustrations for the book by Julius Fucik "Reporting with a noose around his neck."
The project was carried out as part of the illustration training, and is my desire to honor the memory of a journalist who was faithful to his cause and truth until the very end - September 8, 1943.
Illustrations for the book by Julius Fucik "Reporting with a noose around his neck."
The project was carried out as part of the illustration training, and is my desire to honor the memory of a journalist who was faithful to his cause and truth until the very end - September 8, 1943.
About the book:
The book was written by the Czechoslovak journalist Julius Fucik, who was imprisoned in a Gestapo prison. This book, written during the Second World War, unfortunately, has not lost its relevance to this day.
The book was written by the Czechoslovak journalist Julius Fucik, who was imprisoned in a Gestapo prison. This book, written during the Second World War, unfortunately, has not lost its relevance to this day.
About illustrations:
When choosing a style for illustration, I settled on sketching. Sketching suits the atmosphere of the book and the style of the author's narration - this is not a cold description of what is happening, but a work of art, with a description of the personalities and characters of people. The dashed lines emphasize that the author wrote these texts in secret, with breaks for interrogations by investigators and searches of guards. The smoothness of forms and the presence of colors, although in limited quantities, emphasize the positive attitude of the journalist and his love and faith in people.
When choosing a style for illustration, I settled on sketching. Sketching suits the atmosphere of the book and the style of the author's narration - this is not a cold description of what is happening, but a work of art, with a description of the personalities and characters of people. The dashed lines emphasize that the author wrote these texts in secret, with breaks for interrogations by investigators and searches of guards. The smoothness of forms and the presence of colors, although in limited quantities, emphasize the positive attitude of the journalist and his love and faith in people.
ВВЕДЕНИЕ
INTRODUCTION
Глава I. 24 часа
Chapter I. 24 hours
Глава II. Агония
Chapter II. Agony
Глава III. Камера №267
Chapter III. Camera №267
Глава V. Люди и людишки I
Chapter V. People and little people I
Вёрстка для книги
Layout for a book
По вопросам к проекту и для сотрудничества связаться со мной:
Telegram│Whatsapp +7 925 219 0779 | e-mail: vergrimaroff@yandex.ru
Вера Маркова | графический дизайнер | иллюстратор
