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    It was my extreme privilege to direct this production of The Railway Children, as well as design it’s set. The wonderful challenge and beauty of … Read More
    It was my extreme privilege to direct this production of The Railway Children, as well as design it’s set. The wonderful challenge and beauty of this production was its fluidity. Scenes move quickly form one location to another; a train station, to a London town house, to Yorkshire, to another train station, etc. Nearly constant movement of the set was required. However the feeling of the movement needed to be completely natural, gliding as seamlessly from one location to the next as the written dialogue. In order to keep a consistency through the show and meet the requirements of the script I decided to create a simplistic set of railroad tracks that different “railroad cars” could glide through to create our scenes. Our “railroad cars” were simply 4x8 platforms that a pulley system offstage would track on and off. This designed helped to enhance the fluid nature of the script, as well show a constant presence of the railroad through the production. Read Less
    Published:
A realized design for the play
The Railway Children
written by E. Nesbit
Adapted for the stage by Mike Kenny
 
Produced by Snow College.

Directed by Milinda Weeks
Set Design by Milinda Weeks
Lighting Design by Menolly White
Costume Design by Kathleen Hansen
Music by Chris Madin
 
It was my extreme privilege to direct this production of The Railway Children, as well as design its set.
The wonderful challenge and beauty of this production was its fluidity. Scenes move quickly form one location to another; a train station, to a London town house, to Yorkshire, to another train station, etc. Nearly constant movement of the set was required. However the feeling of the movement needed to be completely natural, gliding as seamlessly from one location to the next as the written dialogue.
In order to keep a consistency through the show and meet the requirements of the script I decided to create a simplistic set of railroad tracks that different “railroad cars” could glide through to create our scenes.  Our “railroad cars” were simply 4x8 platforms that a pulley system offstage would track on and off.
This designed helped to enhance the fluid nature of the script, as well show a constant presence of the railroad through the production.
Videography by David Leech
Music by Chris Madin
The family at dinner, Act I scene 2
-photo by Milinda Weeks
Father's train arrives, Act 2 scene 8
-photo by David Leech
Flag down the train, Act I scene 10
-photo by Milinda Weeks
Peter mines for coal, Act I scene 8
- Photo by David Leech
Hugs for Mr.Perks, Act I scene 8
-photo by Milinda Weeks
Moving to the country, Act I scene 3
-phot by Milinda Weeks
"You were pretty proud of yourself", Act 1 scene 7
-Phot by David Leech
Mother talks to the children, Act I scene 9
-photo by Milinda Weeks
Accident in the tunnel, Act II scene 6
- photo by David Leech
Look our at the station, Act I scene 5
-photo by Milinda Weeks
Research Image.
Nottingham, England. Victorian Railway Station.
Research Image
Steam Locomotive Engine at Virginia Water Station
Research Image.
Victorian Railway