Peter.
Redscale technique (film is exposed from the back).
🎞 Fujicolor Super HQ 200 - 📷 Yashica Electro 35 GS.
René.
The film strip of these photos broke, and it didn't wind back into the canister as I expected. When I opened the camera to get the roll, I immediately closed it, but an instant of direct sunlight was enough for the results above. Fortunately, the rest of the photos were fine.
🎞 Fujicolor Super HQ 200 - 📷 Yashica Autofocus S
1. Stephani. First of the roll. Light leak result of loading the film.
3. Ana.
🎞 Proimage 100 - 📷 Miranda DR
San Luis Potosí sunset.
🎞 Proimage 100 - 📷 Yashica Electro 35 GS
Leonora Carrington Museum. San Luis Potosí, México.
🎞 Proimage 100 - 📷 Yashica Electro 35 GS
Kali.
🎞 Pro Plus 100 - 📷 Canon EOS 1000FN
Torre Latinoamericana, CDMX. May, 2022.
🎞 Ilford PAN 400 - 📷 Miranda Sensomat RE
Chris, last photo of the roll. January, 2021.
🎞 Lomo 400 - 📷 Lomography Diana F+
Action sampling
The camera used for the following photos takes four different pictures, one after another, in less than a second. Each photo takes the space of a quarter of the frame and the lenses are all-plastic single-lens, so the result, as expected, is grainy and lo-fi.
But isn't that part of the fun?
Now imagine if some direct sunlight gets in the camera while the film is still on.
Mónica.
🎞 Fujicolor Super HQ 200 - 📷 Lomography Action Sampler
The next videos are the result of playing each sub-frame consecutively.
