“𝘐𝘵 𝘪𝘴 𝘤𝘰𝘯𝘷𝘦𝘯𝘵𝘪𝘰𝘯𝘢𝘭 𝘪𝘯 𝘧𝘪𝘭𝘮, 𝘢𝘴 𝘪𝘯 𝘵𝘩𝘦𝘢𝘵𝘳𝘦, 𝘵𝘰 𝘦𝘯𝘴𝘶𝘳𝘦 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘢𝘶𝘥𝘪𝘦𝘯𝘤𝘦 𝘪𝘴 𝘢𝘸𝘢𝘳𝘦 (𝘵𝘩𝘰𝘶𝘨𝘩 𝘯𝘰𝘵 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘪𝘭𝘺 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘭𝘺) 𝘰𝘧 𝘵𝘩𝘦 ‘𝘵𝘶𝘳𝘯𝘪𝘯𝘨 𝘱𝘰𝘪𝘯𝘵𝘴’ 𝘸𝘩𝘦𝘯 𝘦𝘢𝘤𝘩 𝘴𝘦𝘨𝘮𝘦𝘯𝘵 𝘰𝘧 𝘢 𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘴𝘵𝘢𝘳𝘵𝘴 𝘢𝘯𝘥 𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘴. 𝘛𝘩𝘦𝘴𝘦 𝘢𝘳𝘦 𝘮𝘰𝘴𝘵 𝘰𝘧𝘵𝘦𝘯 𝘴𝘪𝘨𝘯𝘢𝘭𝘭𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘢𝘤𝘵𝘪𝘰𝘯 𝘳𝘢𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘯 𝘥𝘪𝘢𝘭𝘰𝘨𝘶𝘦. 𝘋𝘳𝘢𝘮𝘢 𝘪𝘴 𝘯𝘰𝘵 𝘮𝘦𝘳𝘦𝘭𝘺 𝘢𝘤𝘵𝘪𝘰𝘯 – 𝘪𝘵 𝘪𝘴 𝘢𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘳𝘦𝘢𝘤𝘵𝘪𝘰𝘯. 𝘐𝘵 𝘪𝘴 𝘩𝘰𝘸 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 𝘳𝘦𝘢𝘤𝘵𝘴 𝘵𝘰 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘱𝘦𝘳𝘴𝘰𝘯, 𝘵𝘰 𝘢 𝘴𝘰𝘶𝘯𝘥, 𝘢 𝘴𝘪𝘨𝘩𝘵, 𝘢 𝘱𝘭𝘢𝘤𝘦, 𝘢 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵, 𝘢 𝘮𝘰𝘮𝘦𝘯𝘵 𝘰𝘧 𝘤𝘩𝘰𝘪𝘤𝘦, 𝘵𝘩𝘢𝘵 𝘵𝘦𝘭𝘭𝘴 𝘶𝘴 𝘸𝘩𝘰 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘵𝘩𝘦𝘺 𝘧𝘦𝘦𝘭.”
Branigan, Edward (1992). Narrative Comprehension and Film. London/New York: Routledge.
Client—
Department of Architecture, The University of Hong Kong
Typeface in use—
PP Formula Condensed by Pangram Pangram Foundry
IBM Plex Sans by IBM
Client—
Department of Architecture, The University of Hong Kong
Typeface in use—
PP Formula Condensed by Pangram Pangram Foundry
IBM Plex Sans by IBM
