FOOTAGE + 3D + AE
WHEN ERICA GOROCHOW SHOWED ME HER DESIGNS I IMMEDIATELY WAS IN. IT HAD EVERYTHING I LOVE. ONLY CATCH, FIND A WAY TO MAKE STOCK FOOTAGE FEEL PURPOSEFUL.
SO AFTER A LOT OF TIME REMAPPING AND FEAR OF FAILURE, WE FOUND THE PERFORMANCE WE WERE IN LOVE WITH. STABLIZING, TRACKING, THEN COMP LOVE, AND IT WAS EVERYTHING WE HOPED IT WOULD BE.
TIME REMAP + TAYLOR YONTZ
I WISH I COULD SAY THIS IS FOOTAGE OF TAYLOR, AND WHILE IT ISN’T, WHO AM I TO TAKE THAT POSSIBLITY AWAY FROM YOU?
THAT SAID, WHILE WORKING ON THIS SHOT, TAYLOR SUGGESTED, “WHAT IF YOU MAKE HER GO FROM SITTING TO STANDING UP?”TURNS OUT, JUST ANIMATING THE Y-POSITION WITH A LOT OF DUMB LUCK AND GRAPH EDITOR LOVE SOLD THE EFFECT.
AMERICAN HORROR STORIES - BLOODY MARY
Client: American Horror Stories
Directed by: Elastic
Executive Creative Director: Hazel Baird
Art Direction: Erica Gorochow
Storyboard: Erica Gorochow
Design: Erica Gorochow
2D/3D Animation: Erica Gorochow, Taylor Yontz, Steve Savalle, Bruno Ferrari
Compositing: Erica Gorochow, Taylor Yontz, Steve Savalle, Bruno Ferrari
Editor: Rachel Fowler
Executive Producer: Kate Berry
Producer: Mitchell Fraser
Color Management: Andrew Young
Coordinator: Zak Micciche
Managing Director: Jennifer Solo Hall
Directed by: Elastic
Executive Creative Director: Hazel Baird
Art Direction: Erica Gorochow
Storyboard: Erica Gorochow
Design: Erica Gorochow
2D/3D Animation: Erica Gorochow, Taylor Yontz, Steve Savalle, Bruno Ferrari
Compositing: Erica Gorochow, Taylor Yontz, Steve Savalle, Bruno Ferrari
Editor: Rachel Fowler
Executive Producer: Kate Berry
Producer: Mitchell Fraser
Color Management: Andrew Young
Coordinator: Zak Micciche
Managing Director: Jennifer Solo Hall
