This exhibition is a work that verifies whether you can feel the realism when you bring the digitally created fog to the real world. A physically simulated image with a fog motif is displayed on the product [Ziː] .framed produced in 2020, and it is installed in a space filled with real fog.
The expression is such that the fog in the space is cut out by a frame, and it is a work that asks the boundary between digital fog and real fog, analog and digital.
The expression is such that the fog in the space is cut out by a frame, and it is a work that asks the boundary between digital fog and real fog, analog and digital.
When I was experimenting with various patterns of video content in the early production of [Ziː] .stand, I found that there were physical combinations of geometric graphic movements and simple particle movements. I felt something organic. By adjusting the movement, it became a video experience that I could not think of only 3 layers. After that, I thought that by producing [Ziː] .framed and becoming a "box" that projects more images, I could finally express the "realism" of aerosols.
In order to fill the space with fog, the exhibition space was partitioned and another room was created. A fog machine regularly sprays fog into this space to create a space that is always filled with fog.
