客户 | 中南置地
项目 | 南通常乐镇张謇故里小镇-無终·艺术中心
面积 | 934m²
落地时间 | 2021-11-15
设计团队 | 夏谷暑雨
创意总监 | 高文哲
主案设计师 | 姚帅佳、何琼
主创团队 | 刘婷、范向阳、张子轩、彭奥荣、胡哲铭、刘立楠、毕熙佳、孟圣杰
协助团队 | 王广亭
商务 | 李宁、杨红玉
照明顾问 | 深圳朗晟- 岳阳 袁悦
摄影团队 | 山鸣谷雨
项目推广 | 綦家文 cui
Client | Central South Land
Project | Zhangjian's Hometown Town in Nanchangle Town - Endless Art Center
Area | 934m²
Landing time | 2021-11-15
Design Team | Summer Valley Summer Rain
Creative Director | Gao Wenzhe
Chief case designer | Yao Shuaijia, He Qiong
The main creative team | Liu Ting, Fan Xiangyang, Zhang Zixuan, Peng Aorong, Hu Zheming, Liu Linan, Bi Xijia, Meng Shengjie
Assistance Team | Wang Guangting
Business | Li Ning, Yang Hongyu
Lighting Consultant | Shenzhen Langsheng - Yueyang Yuan Yue
Photography Team | Shanming Guyu
Project Promotion | Qijiawen cui
以传承历史文脉、保护传统技艺、为着眼点，在切实保护原有建筑风貌的基础上融入国潮元素整体色系以原有木纹同蓝绿色墙面涂鸦结合。
Focusing on inheriting the historical context, protecting traditional skills, and on the basis of effectively protecting the original architectural style, the overall color system combines the original wood grain with the blue-green wall graffiti.
阅读，始终是人们连接世界的方式，草木书店则是一个有趣温暖的场所，给每天同样匆匆来此的人群提供慢下来的选择。
整个空间我们选择了较为温和的设计手法，将设计重心放在空间优化和视觉调性的提升上，保留了原建筑风貌，在有限的空间里删繁去奢，试图在紧凑的格局中营造松弛有序的体验感。
在视觉方面，大量运用了木色，以木色作为主色调加上清爽的白色作为点缀，让整个空间不会太过于沉闷，让人、书本与空间三者的对话在书屋悄悄展开……
Reading has always been a way for people to connect with the world, and Caomu Bookstore is an interesting and warm place, providing a choice for people who come here in a hurry every day to slow down.
We chose a more moderate design method for the entire space, focusing on the optimization of space and the improvement of visual tonality, retaining the original architectural style, eliminating complexity and luxury in a limited space, and trying to create relaxation in a compact layout. An orderly experience.
In terms of vision, a lot of wood color is used, with wood color as the main color and refreshing white as embellishment, so that the whole space will not be too dull, and the dialogue between people, books and space will start quietly in the bookstore...
张謇与刺绣的缘分起于1909年南洋劝业会，当时有一幅顾绣董其昌书大屏需要鉴定，被任命为劝业会审查长的张謇，特地请苏绣名家沈寿鉴定，绣品刚打开，沈寿即断定为真品。
张謇惊其才识，决定于南通女子师范学校设绣工科，请沈寿来主持。沈寿之于绣，能悟象物之真，能辨阴阳之妙，曾自谓：“天壤之间，千形万态，入吾目，无不可入吾针，即无不可入吾编绣。”她专心教授技艺，培养一批刺绣人才。沈寿完成了刺绣史上最完整最宝贵的《雪宧绣谱》一书。
张謇在绣谱的序言中说：“积数月而成此谱，且复问，且加审，且易稿，如是者再三，无一字不自謇书，实无一语不自寿出也。”该书是沈寿数十年刺绣经验的积累，也是对包括明代“顾绣”在内的民间刺绣经验的小结，内容全面丰富，堪为我国第一部系统总结苏绣艺术经验的专门著作。
红，是中国传统喜庆色彩，代表着喜庆和祥和，热烈鲜明，极具东方美学特色，
整体空间为红灰金配色，
易阅读的灰色也调和了整体，不会过分夺目。
局部的金色又呈现了几分贵气显沉稳庄重。
祥云元素贯穿在整个岛柜之中，祥瑞之云气，表达了吉祥、喜庆、幸福的愿望以及对生命的美好向往，
同时也是南通绣品服饰里不可或缺的重要元素。
表达沈秀文化源远流长延绵不断。
The fate of Zhang Jian and embroidery began in 1909 at the Nanyang Promotion Association. At that time, there was a large screen of Gu embroidery Dong Qichang's book that needed to be appraised. Zhang Jian, who was appointed as the chief reviewer of the Association, specially asked Shen Shou, a famous embroidery master in Su embroidery, to appraise the embroidery. Shen Shou concluded that it was genuine.
Zhang Jian was shocked by his talent and decided to set up an embroidery engineering department in Nantong Women's Normal School, and asked Shen Shoulai to preside over it. In embroidery, Shen Shouzhi can understand the truth of images and objects, and can distinguish the wonders of yin and yang. He once said: "Between the heavens and the earth, there are thousands of shapes and myriad forms, all of which are in my eyes, and all of them can't go into my needle, that is, nothing can't go into my embroidery. "She concentrates on teaching skills and cultivating a group of embroidery talents. Shen Shou completed the most complete and precious book "Xueyou Embroidery Manual" in the history of embroidery.
Zhang Jian said in the preface of the embroidered score: "It took several months to complete this score, and after repeated questions, additional examinations, and revisions of the manuscript, it was repeated again and again. Also." This book is the accumulation of Shen Shou's decades of embroidery experience and a summary of folk embroidery experience including "Gu embroidery" in the Ming Dynasty. book.
Red is a traditional Chinese festive color, representing festivity and harmony. It is warm and bright, with oriental aesthetic characteristics.
The overall space is red, gray and gold color.
The easy-to-read gray also harmonizes the whole without being overly eye-catching.
The local golden color presents a bit of extravagance, which is calm and solemn.
The elements of auspicious clouds run through the entire island cabinet, and the cloud of auspiciousness expresses the wishes of auspiciousness, festivity, happiness and the good yearning for life.
At the same time, it is also an indispensable and important element in Nantong embroidery clothing.
It expresses the long history of Shenxiu's culture.
