層層LAYER_在地投影計畫_陳宣名 X 黃瑞民-2022

3D after effects animation art CGI Mapping Performance projection Render Show

在地投影計畫

『在地投影計畫』是陳宣名與黃瑞民兩位創作者於2017開啟的系列創作，針對基地踏訪調查，並利用場域特徵與視覺設計，讓影像貼合載體創造維度變化與幻影特效開啟新的想像。因緣際會之下我們造訪了新平溪煤礦，就此展開一段工業遺址及文化資產的探尋與摸索，同時也累積了對十分一帶氣候環境的體感，隨著逐漸深入了解，不論是現地調查與測繪或對礦工耆老的訪談，礦工人生經驗給予我們難以忘懷的震撼，是生命的張力亦是對現實的掙扎，豐富的故事讓我們被此地吸引住，一次次希望能往更深的時代記憶挖掘。

Local Projection Project

“Local Projection Project” is a creative series initiated by artists CHEN Hsuan-Ming and HUANG Atz since 2017. Through the visit and investigation of the base and with the venue characteristics and visual design, it collages images with vessels, rendering dimensional variations and illusionary effects to unseal new imaginations. We paid a visit to the Xinpingxi Coal Mine by chance, initiating an exploration and investigation of the industrial relic and cultural asset. Meanwhile, we accumulated the physical experience of the climate and environment in Shifen. As we delved deeper, either through on-site investigation and mapping or interviews with veteran miners, the life experiences of miners have granted us unforgettable impacts. They were tensions in life as much as struggles with reality. The rich stories drew us to the place as we attempted to dig deeper into the memories of the times again and again.

《層層》為一個結合了建築投影、音樂演出及舞蹈的共創作品，以人的尺度與建築體產生對話，舞者的微光對比建物上的投影，光作為舞者肢體的延伸，透過與光的互動詮釋每個階段的內在狀態，在黑暗之中的孤寂與疏離，使用影像將礦區遺址實轉虛代換投射在卸煤場上，是坑道是地層又或是能量匯集的縷縷煙霧，在音樂設計上以電子混音結合手碟的現場演出，音場透過混音器重低音將地底巨大且黑暗的壓抑再現，狂暴巨變之後，手碟空靈清脆的聲響穿透而出，回應了自然環境中的濕潤朦朧或雨後清新的空氣，在夜晚彷彿迴盪在遺址及山林之間與蟲鳴鳥叫聲合奏著，如今在廢墟一般的工業遺址和只存在展演當下限定的場域，光影之中交錯著虛實想像，將觀眾拉進只存於當下的現實。

Layer is a collaborative work with building projection mapping, music performance, and dance combined. A dialogue with the building is generated in the scale of humans. The dim light of a dancer contrasts with the projection on the building. The light serves as the extension of the dancer’s body. Through interaction with light, it interprets the inner status of each phase. The isolation and alienation in the dark is projected to the coal unloading yard that transforms the mine remain in reality into fantasy. It may be tunnels, strata, or wisps of smoke of concentrated energy. In terms of music design, electronic music mix is combined with live handpan performance. The colossal, dark depression beneath earth is represented through the mixer and boomer acoustically. After a violent, drastic change, the ethereal sounds of handpan pierce through, echoing with the moist obscurity in the natural environment or the refreshing air after the rain. It is like an ensemble with sounds of creatures, resonating between the relic and the mountains. Now, in the ruin-like industrial relic and the venue existing only in performance, the illusionary visions entwine amidst the light, teleporting audience into a reality that exists only in the moment.

作品腳本以礦區日常入坑出坑作為概念發想，面對每日在坑道內的未知，進入地底的不安定感，在結束工作之後

回到地面重見天光，在短暫的工作週期內卻像是經歷了一次次的重生。

作品全篇分為三個章節

• 入黯流 •

以『入』為開端，觀眾於黑暗之中視線隨舞者手中的微光，被引領到建物面前，舞者化作探尋者，往前走踏在砂石之地也穿過樑柱之間，炫目迷離的光體誘惑召喚著，順著光之隧道漸漸地被吸入了幽暗寂靜之中，第二章『黯』描述在無盡黑暗裡的妄想，彷如地層下的液態粒子波濤洶湧翻覆，瞬間又如有機體野蠻擴張生長，侵蝕包覆周遭的一切，而在第三章『流』由空靈的聲響開啟舞者與光流互動，在逐漸飽滿的溫暖中再次回歸寧靜。

The work was inspired by the daily routines of entering and existing the mine. Each day, the miners confronted the unknown in the tunnels, the sense of uncertainty below the ground, and the light upon returning to the surface after work.
Nonetheless, in the short cycle of work, it is as if they had been through reincarnations time and again.

The work is divided into three chapters, i.e. Entry, Darkness, and Flow.

“Entry” unveils the curtain. The audience in the dark are guided by the dim light of a dancer visually to the front of a building. The dancer becomes a seeker. She steps forward into the land of sands and gravels and walks betwixt pillars. The dazzling light source lures and calls, as the dancer follows through the tunnel of light, slowly absorbed into the darkness in silence. Chapter II “Darkness” tells the fantasies in the infinite darkness. They are like the liquid particles beneath the strata, tumbling and turbulent. Expending and growing savagely like organisms all of a sudden, they corrode and shroud everything around. As for Chapter III “Flow,” the ethereal sounds initiate the interaction of the dancer with light flows. In the midst of the slowly saturating warmth, it returns to tranquility yet again.

《層層》是我們這些年來對新平溪礦區的一種心境書寫，在持續研究的過程中，也慢慢建立了某種聯繫，我們也成為其中的一小部分，用我們累積的經驗將過往與現今交疊著，在現地理解過往所產生的記憶，那個記憶其實是現在發生的，我們的感知也是當下的。希望藉由我們作品的呈現能讓大家來到這個場域，進而用不一樣的角度對此地能持續探索，邀請大家來新平溪煤礦場，感受這裡的自然與故事。

Layer is a writing of our state of mind for the Xinpingxi Mine over the years. In the process of ongoing research, a kind of connection was established somehow, as we became parts of it. Through our cumulated experiences, we overlap the past with the present, comprehending the memory generated in the past on site. The memory in fact occurs in the present, and so does our perception. With the presentation of our work, we invite everyone to the venue to keep exploring the place via different angles. You are welcome to the Xinpingxi Coal Mine to experience the nature and narratives here.