This installation refers to the early objects of Croatian mathematician and cybernetician Vladimir Bonačić, who was a prominent member of the New tendencies movement (international network dedicated to the interconnection between art and science, based in Zagreb between 1961 and 1973). According to the artist and theoretician Darko Fritz “Bonačić criticised the use of randomness in computer-based art, as he considers humans to be simply better in “making the ‘aesthetic program’ relevant for human beings”. Project URL
