Adam and Eve. c.1472. Lukas Cranach the Elder

Spring. c. 1480: Alessandro Filipepi, detto BOTTICELLI (Frenze 1145-1510)

Celebration of love, peace, and prosperity. This painting contains 138 different plant species.

Madonna and Child.c. 1487-1488. Alessandro Filipepi, detto BOTTICELLI (Frenze 1145-1510) Two angles move the curtain to make the child and Madonna visible; two other angles show the child the crown of thorns and nails of His Passion.

The Adoration of Magi. Unfinished painting by Leonardo da Vinci.

Pallas and the Centaur. c. 1482. Alessandro Filipepi, detto BOTTICELLI (Frenze 1145-1510)

The Three Archangels and Tobias. c. 1470-5. Francesco Botticini. Michael is carrying a sword; Raphael is guiding young Tobias, holding his hand; and Gabriel is holding the lilly of the annunciation to Mary.

Virgin and Child, and Angels (Madonna of the Magnificent). ca 1483. Sandro Botticelli depicted five angles in this painting. 

The Calumny of Apelles. c. 1495. Alessandro Filipepi, detto BOTTICELLI (Frenze 1145-1510) This painting was inspired by a picture made by Greek artist Apelles. From Wikipedia: From left to right, they represent (with alternative names): Truth, nude and pointing upwards to Heaven; Repentance in black; Perfidy (Conspiracy) in red and yellow, over the innocent half-naked victim on the floor, who is being pulled forward by the hair by Calumny (Slander), in white and blue and holding a flaming torch. Fraud, behind, arranges Calumny's hair. Rancour (Envy), a bearded and hooded man in black, holds his hand towards the king's eyes to obscure their view. On the throne, the king has the donkey's ears of King Midas, and Ignorance on his far side and Suspicion on the near side grasp these as they speak into them. The king extends his hand towards Calumny, but his eyes look down so that he cannot see the scene

Portrait of a young man holding a medallion. c. 1475. Alessandro Filipepi, detto BOTTICELLI (Frenze 1145-1510)