Research surrounding the project
Overview of development of ideas, based on Victorian aspects.
Development of ideas for the Widow and Victim concepts.
Sculpting testers with clay.
Playing with impact points using clay and an airbrush.
Initial sculpt for mask.
Initial paintwork design.
However, I found this to be too flesh coloured for the conecpt.
From here I created a second sculpt, mould of the sculpt, then fabricated the mask using liquid latex.
Fabricted the costume and small details for the hands.
Sadly I was unable to take many proof images of this.
However, I found this to be too flesh coloured for the conecpt.
From here I created a second sculpt, mould of the sculpt, then fabricated the mask using liquid latex.
Fabricted the costume and small details for the hands.
Sadly I was unable to take many proof images of this.
Mould of final sculpt
My brilliantly gorgeous assistant Lottie Baldwin.
She helped me every step of the way!
She helped me every step of the way!
On set images,
showing the production of the Widow character, fabrication of the hands and set up.
showing the production of the Widow character, fabrication of the hands and set up.
Our fantastic photographer Dionne Hodgson at work.
https://www.behance.net/dionnecandice
https://www.behance.net/dionnecandice
Final Images.
Single shots of the widow.
Taken by Dionne Hodgson.
Edited by me - Heather Liptrott
Taken by Dionne Hodgson.
Edited by me - Heather Liptrott
Single shots of the Victim.
Created by - Dee Wilkinson.
Photos taken by - Dionne Hodgson.
Edited by - Me - Heather Liptrott
Created by - Dee Wilkinson.
Photos taken by - Dionne Hodgson.
Edited by - Me - Heather Liptrott
The Widow and her Victim.
Taken by - Dionne Hodgson.
Edited by - Me - Heather Liptrott
Taken by - Dionne Hodgson.
Edited by - Me - Heather Liptrott
These are the location shoot images, to bring the story into context.
Taken by - Lottie Baldwin.
Taken by - Lottie Baldwin.
Momento Mori edits.
Playing about with texture and colour to create the feel of the era.
Playing about with texture and colour to create the feel of the era.
Emulsion prints of sepia edits.
To create the old worn feel.
To create the old worn feel.
Edited and framed to contextualise and conclude the project.
Thanks for watching!
Thanks for watching!
