Avi Friedlich's profile

ABSTRACT GENOMIC ART: an introduction

ARTIST'S STATEMENT

MATERIALS, PROCESS, and PURPOSE
Unless otherwise indicated, the starting material for all images presented here is raw genomic data from the public domain and nothing else.  The physical structure of the DNA molecule itself is not the starting material.  Genomic data are strings of nucleotides (As, Ts, Gs, and Cs), and the images here derive from strings of 10,000 nucleotides or fewer.  With faster processing speed, the strings can be longer, and the process is experimentation.  

Visualization of genomic data is first achieved with the dot-plot, a mainstream tool used in genetics for over 30 years.  Dot-plots are then transformed in various ways, and the results may be generalizable in nature or speak to universal properties of the genetic code and its three billion years of evolution for life.   Two different types of transformation are displayed on the http://www.cell.com/pictureshow/bestof2013   and journal covers (e.g. Methods for these and other transformations have potential to cross-pollinate with genomics proper and to mix with a variety of other media, inlcuding photography

The subjects of the empiriacal abstract are truth and beauty, with a method that is reproducuble, certain, and fundamentally binary.   Hence, finished works stand strong behind a philosophy that is being realized as a gift from the 20th century post-modern, and if this rings true, please consider  that an artistic movements must be a shared process in the beginning.  -AF
Reflection for the Individualized Genomic Arts
and the Empirical Abstract
A World Still to Find
Dancing in the Moonlight
(a scientist with artistic freedom)
Carousel of Time
Nanokinetics
Untitled
 
Worm Holes
Cooling Wheel
in honor of Dan Shechtman
Nature's Scream
It Can Happen
Breakthrough
Oscillation (time domain)
Fourier-type differentials of AluSx squared
Faust
Organic Architecture
(signaling and rotational stress)
SuperEgo
Origins: Mixed Media 1 of 5
M.C. Escher/Genomic Mixed
Escher's first two assumptions were a finite space and an infinite proces.
Abstract Genomic methods are promising subjects for 3-D lithography
Final Hour: Mixed Media 2 of 5
Dali/Genomic mixed
Like Escher, Dali drew in spherical coordinates, only without the element of time or angular momentum or the equivalent.
Fine printed on stretched canvas.
 
The Jungle: Mixed Media 3 of 5
Photo by Charles Sheeler c. 1927
http://www.metmuseum.org/Collections/search-the-collections/265132
5
Mandlebrot Set Submerged:  Mixed Media 4 of 5
Abstract genomic methods are data-driven, whereas fractal art is algorithmic and theoretical.  Their geometries are also nothing alike but mix well
The Undergrowth of Science: Mixed Media 5 of 5
Turned upside down and re-colored, this is Modrian's Avond Red Tree.
Abstract Genomic techniques mix well with photography and other media.
De Stijl
Warhol's Genomic Abstract
MacGuyver's Genomic Abstract
http://www.macgyveronline.com/pages/macgyverisms.html#.VoGm9zbtLiA
The Broad
Bleeding Pixel
ABSTRACT GENOMIC ART: an introduction
Published:

ABSTRACT GENOMIC ART: an introduction

see captions at http://www.cell.com/pictureshow/bestof2013

Published:

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