Roseana Wragg's profile

MOTION, POINT OF VIEW, LIGHT AS SUBJECT

Perspective - I positioned the water jug in front of the sitting cat and she was immediately 'bottled' into the jar.
Positioning the vase right behind the palm plant, it appears that both flowers and plant are inside the vase.

The motorcycle model is significantly smaller than the plush bear.  However, the positioning of the smaller item in the foreground and lowering of the camera allows them to fit as if the bear is mounting the motorcycle at the same level.
Both bird feeders are the same size but the angle of the camera changes the perspective of sizing.  Also, the cowbow hat appears to have hands holding the birdfeeders.

The pick-up truck was moving from left to right.  I panned it at the same speed and the final result gave me the view of a truck with two front ends, turning a corner.  This street is straight, not curved.

The plush bear was in free fall in front of a reflective storm door and the bright daylight froze the descent.
The inside light turns this shell incandescent and throws shadows on the walls which mimick the shape of the edges.
This picture was taken from underneath the geranium leaves and caught the light in a way that makes the stem appear as if they were projecting light all the way from pot to leaf.

Yoshi was moving her head at the same time that I was moving the camera in the opposite direction so that the entire picture was unfocused and looked soft and dreamy.

The aspects of light in uneven flooring and through water.  The shadow projected by the overhead roof line makes the identically-colored leaves change color by comparison.

MOTION, POINT OF VIEW, LIGHT AS SUBJECT
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MOTION, POINT OF VIEW, LIGHT AS SUBJECT

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