RESSEMBLANCE
  

This editorial project discusses the international consolidation of design as a discipline and the convictions that shape this profession in the transition from modernism to post-modernism.
As a starting point, we explore a set of contexts and reference designers, recognized for their fundamental role in the evolution of projectual practice in different cultural and social contexts, taking into account the way they assume themselves as differentiating factors of their work. We chose  Cassandre and Phillippe Apeloig by addressing their works and placing them in their respective historical and cultural context.

  



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RESSEMBLANCE
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Multiple Owners
Roberta Verdi