Imagine you enter the primordial form, a sculpture. Like you enter into a pebble, in an iceberg, in a drop of water or some large body, or under the surface of the dunes, the sea, the landscape.
The organism, blood and energy of form will be art, exhibitions, curator concepts, concerts …
Fluidity adjusts with its softness to space and is not aggressive towards history, regardless of their differences, it anticipates the present and the future.
Fluidity corresponds with the elusiveness and liveliness of the spirit of art, creation, city and time.
The roof surface is planned to collect rainwater for use.
The outer membrane is made of white aluminum plates that form the fine form of the museum.
Guggenheim Helsinki is seen as a fluid sign of the city that draws people into a new experience…
Experience and access from the sea will leave the dynamic image of the city that from every position looks different.
Construction of the museum is conceived from glulam beams in two directions who form a solid supporting mesh in whose field is located all necessary installation techniques.
Using specially designed ‘bottles’ daylight will diffuse sprayed into the interior, with no cost – on the principle of global open source movement ‘liter of light’ – with the aim to provide an ecologically sustainable and free-of-cost source of interior light.
The main exhibition space is designed as a large spacious totally free surface – volume for all types of art.
