In the early months of the global pandemic, there was a large, sudden interest around the concept of "essentiality" and who/what is deemed essential to a given function. I internalized and reflected this in my sketching process and documentation in which I returned to largely analog mediums and methods such as using gouache to emulate the forms and surfaces of terrain in the outdoors of NJ/NY. My documentation became much more focused on communication of concept opposed to polished aesthetics and rendering, leaving evidence of physical process with the use of transparent overlays and mixed mediums to communicate texture as a visual tool to relate materiality to the natural/organic or to the futuristic/synthetic.