Vision
I seek to remedy the structural violence of environmental racism by platforming the underserved communities it affects most through an interactive game-like experience that presents my research alongside cultural products from local creatives and small minority owned businesses. The platform I will build is an open world virtual cultural center, a series of digital venues that creatively reclaim the industrial corridors my research focuses on by presenting data driven streetmap Glyphs as surreal environments to be explored, and learned from.
The viewer, now an urbexer (Urban Explorer) much like myself when visiting these locations, is tasked with exploring these landscapes in search of artifacts. Virtual urban archaeology, the retrieval of each artifact presents the viewer with a bit of information/research regarding the community/culture it represents. These artifacts are made by individuals from the communities represented in the street map glyphs embedded in each virtual environment. They vary widely, from scans of handmade jewelry, pottery/sculptures to murals, poem inscribed tablets and virtual performances. I will maintain this project as an ongoing virtual platform by updating the game over time to feature more creatives and small businesses from a growing list of communities affected by industry. As I continue my research the open world of the game will grow and serve as a living archive.
The viewer, now an urbexer (Urban Explorer) much like myself when visiting these locations, is tasked with exploring these landscapes in search of artifacts. Virtual urban archaeology, the retrieval of each artifact presents the viewer with a bit of information/research regarding the community/culture it represents. These artifacts are made by individuals from the communities represented in the street map glyphs embedded in each virtual environment. They vary widely, from scans of handmade jewelry, pottery/sculptures to murals, poem inscribed tablets and virtual performances. I will maintain this project as an ongoing virtual platform by updating the game over time to feature more creatives and small businesses from a growing list of communities affected by industry. As I continue my research the open world of the game will grow and serve as a living archive.
The surreal environments of this open world are presented as once home to vibrant cultures whose structural remnants are embedded in each landscape. The experience takes place after a series of erosion events that embody a progression of industrial pollution, based on the research I've done of real world locations driving the erosion of industry adjacent communities of color.
This platform, Monolyth, presents my research with a virtual cultural center/museum of work from local creatives and catalog of minority owned small business and creatives from underserved communities as a virtual marketplace. I envision a way to reinvest in our communities by increasing our awareness of them and counteracting the forms of structural violence we’ve grown accustomed to.
This platform, Monolyth, presents my research with a virtual cultural center/museum of work from local creatives and catalog of minority owned small business and creatives from underserved communities as a virtual marketplace. I envision a way to reinvest in our communities by increasing our awareness of them and counteracting the forms of structural violence we’ve grown accustomed to.
Monolyth VR
Stills
Concept Enviorment Stills
Assets and structures ive already built out for the open world landscape im currently designing to place them in.
Assets and structures ive already built out for the open world landscape im currently designing to place them in.
Process/Glyphs/Base Images
Pittsburgh | Braddock
A bridge structure leading to an ensnared figure partially made of/textured by Pittsburgh glyphs.
Detroit | River Rouge
Further reading & map data sources:
Chicago | South/West Sides
Continuation of New Nature
Beirut Explosion
( In Progress: Game/Platform Design Concepts )
UPDATES : : PRODUCTION
Cultural Center/Venue
I began to make 3D environments to showcase the Glyphs. These surreal environments were often made of and textured with the glyphs. While building them It felt as though I were exploring them as I would teh abandoned sites they were based on. I want to bring this exploration to others as I would often bring my friends to abandoned industrial sites, a guided tour of sorts. The first variation of this new guided exploration was a VR/360 animation flying through these 3D scenes. I wanted the viewer to have more freedom to explore though, more space within these environments to learn about the real circumstances of the communities in the familiar symbols they were looking at.
To do this I have been expanding the animated scenes into fully interactive virtual worlds that will serve as levels in a Virtual Experience. The plot of the game will be based in a virtual venue, a cultural center from which players can explore exhibitions presenting the data visualizations and footage before transporting the players into the 3d environments that grew from them. The architecture of the game will be open ended so as to allow for me to continue adding levels to explore and virtual exhibitions to present the reality they reflect.
To do this I have been expanding the animated scenes into fully interactive virtual worlds that will serve as levels in a Virtual Experience. The plot of the game will be based in a virtual venue, a cultural center from which players can explore exhibitions presenting the data visualizations and footage before transporting the players into the 3d environments that grew from them. The architecture of the game will be open ended so as to allow for me to continue adding levels to explore and virtual exhibitions to present the reality they reflect.
Diawara
The first external level consisting of the reminants of 'Dia' an earth crystal reliant culture. Their crystals power various relic technology, once that level's challange is completed the hangar can be acessed via scale shifting abilities. (level based on the beirut explosion glyphs)
The first external level consisting of the reminants of 'Dia' an earth crystal reliant culture. Their crystals power various relic technology, once that level's challange is completed the hangar can be acessed via scale shifting abilities. (level based on the beirut explosion glyphs)
Eddies Archive
The second half of the Cultural Center, an archive documenting/explaining the real world locations behind the Glyphs, runes and symbols in the game via textiles and interactive galleries.
Archive Construction
Dia Gate
Powers the archive and hangar, aquired/powered from the Diawara level. A portal to the ruins of a hybrid culture that formed as a response enviormental erosion.
Powers the archive and hangar, aquired/powered from the Diawara level. A portal to the ruins of a hybrid culture that formed as a response enviormental erosion.