White colour, the colour of endless space in the suprematist paintings, has evolved in the interior, creating a geometric volume of the whole space. It is self-sufficient and also is a background for the interior’s main elements – geometric dominating sculptures. 

The main idea of suprematism (from Latin “supremes” – highest) is based on the superiority of pure geometry and colour over the existing perception of forms and space. Thus, this interior is a white background for the linear geometric metal sculptures, consisting of the simple geometry planes, connecting in the three-dimensional monumental compositions. 

Inspired by suprematism, I aimed to create the three-dimensional installation, the interior, that is submerging one’s into the world of the endless white space, colour and geometry.