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I am a sculptor. I do drawings, wall paintings, sculptures and installations.

I see my works as entities, parts of a common picture we all stand in, evidence of now and here.

The spectator is entering a sculpture by entering a room. It is about crossing a line between sculpture as a 3d form and sculpture which … Read More
I am a sculptor. I do drawings, wall paintings, sculptures and installations.

I see my works as entities, parts of a common picture we all stand in, evidence of now and here.

The spectator is entering a sculpture by entering a room. It is about crossing a line between sculpture as a 3d form and sculpture which is a drawing. The scale of the work is always in relation to human, or to space.

Wall drawings are there to change the impression of the space, and sculptures more directly involve spectator.

Most of my executed work does not exist anymore and there I lie down the tendency to create a piece, let it live, be reborn later in some other form or material, and to nourish the circle of life. In most of the cases I use natural materials because I see them as pure matter, therefore, more true and sincere.

When i introduce color, it is usually monochromatic, because for me the color is representation of a feeling and when i decide to have it present, it is strong and raw.

I let the work be embraced by the viewer, to be taken personally. Anyone can identify with it and find own meaning. Or not.

I believe the artists that influenced me the most were musicians. No matter where you are, music you can always hear without pointing your ear to it. It drags you in, calling to come closer. In the works of my favorite sculptors, I try to “hear” the work, rather than to see and understand.

I am interested in what is present in the core of a work and how it finds its way out, what is it made of. Essence should be simple, but very strong and pure. In this sense, I believe that what surrounds the cord is usually what describes it best. Therefore, there is always a battle between the form that is material and present and the form which is captured by, is evident, but not palpable or visible.

I tend to make works that put the whole space into the move. I want to put the viewer in a state that is engaging. Read Less
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