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When I was fourteen years old, I was given a book about Frank Loyd Wright's houses. I was attracted to the stark geometric shapes against the untamed, almost abstract, natural background that I observed, especially in many of the photos of the Falling Water house. Architectural and geometric shapes have influenced… Read More
When I was fourteen years old, I was given a book about Frank Loyd Wright's houses. I was attracted to the stark geometric shapes against the untamed, almost abstract, natural background that I observed, especially in many of the photos of the Falling Water house. Architectural and geometric shapes have influenced my work ever since. With hard edges against a background of loose form and color, and paint that fluctuates between ragged-edged and raw, to hard-edged and refined, my work is primarily an exploration of how color, texture, and composition work together in a translucent space, and how the architectural or geometric elements hold the work together. Read Less
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