Share
Project Views
Appreciations
143
Followers
31
Following
15
After studing shortly at the academy « Conservatoire Libre du Cinéma Français » , DAG starts her career sharing her time between doing production at GEDEON, working in the Underground Artistic Residence at
HOPITAL FMR and fashion collaborating with designer XULY Bët.

In 1998 she is hired at the graphic studio L… Read More
After studing shortly at the academy « Conservatoire Libre du Cinéma Français » , DAG starts her career sharing her time between doing production at GEDEON, working in the Underground Artistic Residence at
HOPITAL FMR and fashion collaborating with designer XULY Bët.

In 1998 she is hired at the graphic studio LA FORCE MAGIQUE*.
Later she meets her working partner and alter Ego, Gonzague Lacombe.

They create the agency DIRECTEUR GENERAL specialize in visual identity & graphic actions.
Very shortly after they meet the freshly graduated collective of architects EXYZT.
EXYZT define its mission between doing commercial work and artistic social projects around the world.
The climax of the collective happened when Patrick Bouchain commissioned them to built the french pavillion at the Venise Biennale in 2006.
The high exposure of the EXYZT collective allows DAG to try other mediums like street Art, records covers (Vitalic, The Penelopes, Muriel Moreno), textile Design.
Close to artistic Duo Pier & Franz 1024ARCHITECTURE with whom she shares a studio in Pais, she dive into the universe of sound and images, where graphism audio and algorithms interact simultaneously live.
In 2014 she works on the design of the exhibition USINE DE FILMS AMATEURS by Michel Gondry
in Casablanca.
She is curently working with her produceur, Jean David Lefebvre ABELAFLAM on several projects
in Morrocco.
Essential is painting. One of the other is a very impressive graphic installation on EL HANK buiding
in Casablanca.
A documentary film of her work at EL HANK is coming out soon.

WELCOME TO MY SHOW !
in May 2015 at the French Institute of Casablanca Read Less
Member since: