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Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has had a solo exhibition at Galerie EVOLUTION-Pierre Cardin in Paris, France, completed a three week r… Read More
Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has had a solo exhibition at Galerie EVOLUTION-Pierre Cardin in Paris, France, completed a three week residency in Lacoste France, completed a painting assistantship with Joe Amrhein of Pierogi Gallery in Brooklyn NYC, and had work acquired by fashion designer Pierre Cardin and gallery owner James Cohan. As of 2012 Charles had been featured in numerous print and Internet interviews including, WIRED magazine (US and UK), Hifructose.com, Beautifuldecay.com and Bluecanavs Magazine. He has also been featured in publications including “Papercraft 2” published by Gestalten and “PUSH Paper” published by Lark Books, “Paper Art” published by ArtPower International Publishing, and “Paper Works” published by Sandu Publishing. Charles has lectured nationally and exhibited regionally, nationally, and internationally in numerous solo and group shows, is represented by The Rymer Galery in Nashville, TN, the Diana Lowenstein Gallery in Miami, FL, and currently lives and works in Murfreesboro, TN. Read Less
I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they in… Read More
I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they inhabit transforming the space into something suitable for their gestation. Towers of paper and color jut into the viewer’s space inviting playful interactions between the viewer and this conceived world. These constructions question the notion of microbial outbreaks and their similarity to the visual representation of sound waves, transforming them into something more playful and inviting. Read Less
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