Vidal Aguirre
Villarreal, Spainstreet photographer, graphic designer and field worker
Work Experience
Sansan Republic - Islands Inda Stream Ltd
founder
Graphic designer, Web designer, Senior consultant, Photographer
2006
- Present
Spain
West Indies Multimedia Ltd
founder
Photographer, Editor, Translator, Senior consultant, Graphic designer
[in Jamaica, USA, France and Spain]
[in Jamaica, USA, France and Spain]
1996
- 2003
Spain
Bex Cuba S.A
public relations
Commercial and public relations, Translator
[in France and Cuba]
[in France and Cuba]
1995
- 1996
Cuba
Espace Barthélemy De Las Casas, Ngo
coordinator
Consultant, Editor, Translator, Interpreter, Public relations, Graphic designer, Photographer
[in France, Mexico and Central America]
[in France, Mexico and Central America]
1993
- 1995
France
Radio Canut
radio announcer
Radio Canut 102.2 fm “the most rebellious”, community radio in Lyon.
Announcer, speaker and Dj in weekly latin program Rostros de América Latina [Faces of Latin America]
Announcer, speaker and Dj in weekly latin program Rostros de América Latina [Faces of Latin America]
1993
- 1995
France
Languages
Spanish (Native),
English (Conversational),
French (Native),
German (Beginner),
Catalan (Conversational),
Around about beginning
First I read Hemingway and Genet. I listened to the jazz of Dave Brubeck, Bird Parker,
Monk or Sonny Rollins and Miles Davis. And Tito Puente.
Then I thought to be photographer. My references were Walker Evans and William Klein.
I got a F401 and a FG20.
I read Nicolás Guillén and Carpentier. I listened to Celia Cruz and Los Van Van.
That's when I left to Cuba to take photos with Olivier, and I knew Bayoya.
I read Cendrars, Galeano and Cortázar. I listened to Vinicius with Toquinho.
I discovered Silvio and Rubén Blades. The Skatelites. And Pasolini.
And Le Corbusier and Niemeyer.
I got rid of the F401 and got a FA and a FM2. Héctor made me discover the mac.
And I went back to Cuba, after being in Mexico and Central America.
With Bayoya as guide, I penetrated the rumba in the solar, and in the streets.
From there I discovered Jamaica and then left to the United States.
With Debray in my mind, I went back on my steps. And that's when everything's begun.
Monk or Sonny Rollins and Miles Davis. And Tito Puente.
Then I thought to be photographer. My references were Walker Evans and William Klein.
I got a F401 and a FG20.
I read Nicolás Guillén and Carpentier. I listened to Celia Cruz and Los Van Van.
That's when I left to Cuba to take photos with Olivier, and I knew Bayoya.
I read Cendrars, Galeano and Cortázar. I listened to Vinicius with Toquinho.
I discovered Silvio and Rubén Blades. The Skatelites. And Pasolini.
And Le Corbusier and Niemeyer.
I got rid of the F401 and got a FA and a FM2. Héctor made me discover the mac.
And I went back to Cuba, after being in Mexico and Central America.
With Bayoya as guide, I penetrated the rumba in the solar, and in the streets.
From there I discovered Jamaica and then left to the United States.
With Debray in my mind, I went back on my steps. And that's when everything's begun.