stefan boublil Personal RSS Feed http://www.behance.net/stefanboublil combining 3 smaller apartments into one at one of new york city's most coveted uptown addresses, we delivered a stunning new dwelling on the 61st floor of the metropolitan tower. every single room is constructed so that the postcard view of central park is the star. with a built-in wraparound sofa, a secret door in the solid walnut library and distributed surround sound all over the home, this project is an ode to the 80s during which the building was erected. suited for a family of 4 with 2 children, the communal living spaces stands in between the master suite and the kids' rooms, hidden behind the aforementioned trap door in the library, thereby providing a buffer of sight and sound. the kitchen and dining area is the only ones wrapped in waxed concrete thereby giving it a theatrical feel, especially when see from the rest of the apartment which is clad in bleached pine and subdued colors. http://www.behance.net/Gallery/nyc-residence/293978 combining 3 smaller apartments into one at one of new york city's most coveted uptown addresses, we delivered a stunning new dwelling on the 61st floor of the metropolitan tower. every single room is constructed so that the postcard view of central park is the star. with a built-in wraparound sofa, a secret door in the solid walnut library and distributed surround sound all over the home, this project is an ode to the 80s during which the building was erected. suited for a family of 4 with 2 children, the communal living spaces stands in between the master suite and the kids' rooms, hidden behind the aforementioned trap door in the library, thereby providing a buffer of sight and sound. the kitchen and dining area is the only ones wrapped in waxed concrete thereby giving it a theatrical feel, especially when see from the rest of the apartment which is clad in bleached pine and subdued colors. http://www.behance.net/Gallery/nyc-residence/293978 Fri, 28 Aug 2009 12:37:20 -0500 after almost 6 months of planning, the countdown finally came to a halt and we made good on delivering a world's first in the form of a new car model being dramatically unveiled at one of the world's premier shows. without a car. the pitch at the infiniti's nashville headquarters a few months again went a little something like this: "what if we welcomed people inside an empty tent!..." i said to a room full of executives. "what if we didn't and say we did? and actually what if you got out of this building and never came back?!" i was prepared to hear. but no, they listened, attentively, at the seemingly crazy plan we at theapt had devised while trying to outdo ourselves from last year's house of inspiration. agencies like mine usually waltz into conference rooms like theirs arguing that positioning is the single most important part of marketing but we omit to make clear that saying such things positions us as "holders of a truth" for our clients. truth is a dangerous concept for a creative agency to lay claim to as it is one that, to paraphrase a great man, cannot possibly be written in ink, only found in nature. which got us thinking... truth only reveals itself when one gives up all preconceived ideas such as the ideal of a supposed infallible process to sell more cars. that is what we wanted to propose. envisioned as a powerful and stirring experience, the infiniti journey of inspiration is emotionally involved within the world of the car company. welcomed into the tent, we are shown, not told about, the muses and motivations that have, over the past 20 years, guided the designers and engineers behind every single vehicle. we encounter face-to-face, not are simply presented with, the creativity and inventiveness with which problems are solved and opportunities taken. we, finally, are surprised and delighted by the revelation that infiniti has apparently given away the sources of its own inspiration. by way of a technology called mapping projection, invented and patented by our good friends at klip collective the guests will be surrounded 360° by visual and aural expressions of the brand in a way that has never before been achieved. the goal is absolute involvement. the goal is to tell the story of a myriad journeys taken in the cars. the goal is to invite and inspire. and that is what we did. http://www.behance.net/Gallery/the-infiniti-journey-of-inspiration-(2009)/294004 after almost 6 months of planning, the countdown finally came to a halt and we made good on delivering a world's first in the form of a new car model being dramatically unveiled at one of the world's premier shows. without a car. the pitch at the infiniti's nashville headquarters a few months again went a little something like this: "what if we welcomed people inside an empty tent!..." i said to a room full of executives. "what if we didn't and say we did? and actually what if you got out of this building and never came back?!" i was prepared to hear. but no, they listened, attentively, at the seemingly crazy plan we at theapt had devised while trying to outdo ourselves from last year's house of inspiration. agencies like mine usually waltz into conference rooms like theirs arguing that positioning is the single most important part of marketing but we omit to make clear that saying such things positions us as "holders of a truth" for our clients. truth is a dangerous concept for a creative agency to lay claim to as it is one that, to paraphrase a great man, cannot possibly be written in ink, only found in nature. which got us thinking... truth only reveals itself when one gives up all preconceived ideas such as the ideal of a supposed infallible process to sell more cars. that is what we wanted to propose. envisioned as a powerful and stirring experience, the infiniti journey of inspiration is emotionally involved within the world of the car company. welcomed into the tent, we are shown, not told about, the muses and motivations that have, over the past 20 years, guided the designers and engineers behind every single vehicle. we encounter face-to-face, not are simply presented with, the creativity and inventiveness with which problems are solved and opportunities taken. we, finally, are surprised and delighted by the revelation that infiniti has apparently given away the sources of its own inspiration. by way of a technology called mapping projection, invented and patented by our good friends at klip collective the guests will be surrounded 360° by visual and aural expressions of the brand in a way that has never before been achieved. the goal is absolute involvement. the goal is to tell the story of a myriad journeys taken in the cars. the goal is to invite and inspire. and that is what we did. http://www.behance.net/Gallery/the-infiniti-journey-of-inspiration-(2009)/294004 Fri, 28 Aug 2009 12:37:24 -0500 hands-down one of our absolute favorite projects! the client was cindy gallop, international woman of mystery inspiration, who didn't exactly have much time, as the chairwoman of advertising giant BBH, to lay out her new apartment in the converted locker rooms of the first ymca in the u.s. but she did have time to inspire us... her brief was simple: "at night, i want to feel like i'm in a shanghai nightclub..." and so our proposal was equally simple: "what if you lived inside a lacquered chinese box?..." to our amazement, she was game so we knew our next idea would pass as well, no demising walls whatsoever, just a network of two-track curtains which could be used to make rooms on-the-fly. of course, there was the matter of the 300 pairs of heels that ms. gallop cherishes as art and so they were treated as such, displayed in the own light box, all along the width of the apartment. this project was conceptual in nature at first but yielded results beyond our wildest dreams in terms of comfort of living and luxury. http://www.behance.net/Gallery/the-black-apartment/123184 hands-down one of our absolute favorite projects! the client was cindy gallop, international woman of mystery inspiration, who didn't exactly have much time, as the chairwoman of advertising giant BBH, to lay out her new apartment in the converted locker rooms of the first ymca in the u.s. but she did have time to inspire us... her brief was simple: "at night, i want to feel like i'm in a shanghai nightclub..." and so our proposal was equally simple: "what if you lived inside a lacquered chinese box?..." to our amazement, she was game so we knew our next idea would pass as well, no demising walls whatsoever, just a network of two-track curtains which could be used to make rooms on-the-fly. of course, there was the matter of the 300 pairs of heels that ms. gallop cherishes as art and so they were treated as such, displayed in the own light box, all along the width of the apartment. this project was conceptual in nature at first but yielded results beyond our wildest dreams in terms of comfort of living and luxury. http://www.behance.net/Gallery/the-black-apartment/123184 Tue, 09 Sep 2008 18:58:17 -0500 the apartment designs event for infiniti car company in pebble beach http://www.behance.net/Gallery/infiniti-house-of-inspiration-(2008)/141760 the apartment designs event for infiniti car company in pebble beach http://www.behance.net/Gallery/infiniti-house-of-inspiration-(2008)/141760 Wed, 29 Oct 2008 12:18:34 -0500 the newest member of theaptFAMILY is here meet at the apartment at 101 crosby street in new york city, the site of our former retail design store and subsequent agency, is the inaugural location in a collection of state-of-the-art creative meeting spaces launching around the world over the next five years (london and Dubai are currently in the planning stages). meet is a collaboration between us and new york based marketing agency, electric artists who is an equity partner in meet along with sara and marc schiller, founders of the wooster collective. quite a team, uh? we've been working on this for a while and the basic concept is that people, everyday, need inspiration. in our 10 year-old experience, nobody moreso than companies whose wheels are often so slow to turn that they lose sight of the goals, creative and otherwise, that set them on their mission to begin with. and that's why we're here, to provide a newly-designed space as a new riff on the idea of the blank canvas to wake up the corporations in question and a community to get them inspired again. http://www.behance.net/Gallery/MEET-at-THE-APARTMENT/141169 the newest member of theaptFAMILY is here meet at the apartment at 101 crosby street in new york city, the site of our former retail design store and subsequent agency, is the inaugural location in a collection of state-of-the-art creative meeting spaces launching around the world over the next five years (london and Dubai are currently in the planning stages). meet is a collaboration between us and new york based marketing agency, electric artists who is an equity partner in meet along with sara and marc schiller, founders of the wooster collective. quite a team, uh? we've been working on this for a while and the basic concept is that people, everyday, need inspiration. in our 10 year-old experience, nobody moreso than companies whose wheels are often so slow to turn that they lose sight of the goals, creative and otherwise, that set them on their mission to begin with. and that's why we're here, to provide a newly-designed space as a new riff on the idea of the blank canvas to wake up the corporations in question and a community to get them inspired again. http://www.behance.net/Gallery/MEET-at-THE-APARTMENT/141169 Tue, 28 Oct 2008 00:00:18 -0500 after a while, even the best of intentions get old. that's exactly how we felt about our own identity, which had carried us from 2000 to 2007. in the re-design of our identity, we choose a vernacular system that embodied the notion of commonality. as such, all print pieces (except envelopes) come packaged in bound pads of thin sheets of paper" reminiscent of classic writing tablets. the writing tablet symbology is extended to our new website where all information (studio projects, blog entries, etc.) is compartmentalized into dimensional modules designed to look like stacks of paper. the new logo (featuring Lineto’s Akkurat) with its modified second t that has a serif-like ball terminal, was meant to evoke the considered combination of a neutral sans-serif typeface with decorative-like punctuation. the mix of styles also evokes an obvious comparison of contrasts, a common facet of our design practice. all variants of identity , collateral feature an abbreviated list of tag categories derived from our cultural design portal, words that not only function to organize information on our website (for example, JESUS refers to all things religious), but also succinctly describes our cultural interests and informs our design practice. each business card tablet is a stack of 12 different cards (with different combinations of website tags) repeated 8 times (96 cards per tablet) as a consequence of the structure, individuals get a different card depending on the position in the stack. except for the business cards, all print pieces also feature a digitized (set at 72 dpi) re-work of William Morris’ Acanthus wallpaper, a decorative element that stands in sharp contrast to the use of stark typography and not-so-subtly hints at an interior design element commonly found in an apartment. winner design 100 step inside design magazine. self-promotion category: http://www.stepinsidedesign.com/STEPMagazine/Article/28860/0/page/7 http://www.behance.net/Gallery/the-apartment/127855 after a while, even the best of intentions get old. that's exactly how we felt about our own identity, which had carried us from 2000 to 2007. in the re-design of our identity, we choose a vernacular system that embodied the notion of commonality. as such, all print pieces (except envelopes) come packaged in bound pads of thin sheets of paper" reminiscent of classic writing tablets. the writing tablet symbology is extended to our new website where all information (studio projects, blog entries, etc.) is compartmentalized into dimensional modules designed to look like stacks of paper. the new logo (featuring Lineto’s Akkurat) with its modified second t that has a serif-like ball terminal, was meant to evoke the considered combination of a neutral sans-serif typeface with decorative-like punctuation. the mix of styles also evokes an obvious comparison of contrasts, a common facet of our design practice. all variants of identity , collateral feature an abbreviated list of tag categories derived from our cultural design portal, words that not only function to organize information on our website (for example, JESUS refers to all things religious), but also succinctly describes our cultural interests and informs our design practice. each business card tablet is a stack of 12 different cards (with different combinations of website tags) repeated 8 times (96 cards per tablet) as a consequence of the structure, individuals get a different card depending on the position in the stack. except for the business cards, all print pieces also feature a digitized (set at 72 dpi) re-work of William Morris’ Acanthus wallpaper, a decorative element that stands in sharp contrast to the use of stark typography and not-so-subtly hints at an interior design element commonly found in an apartment. winner design 100 step inside design magazine. self-promotion category: http://www.stepinsidedesign.com/STEPMagazine/Article/28860/0/page/7 http://www.behance.net/Gallery/the-apartment/127855 Fri, 19 Sep 2008 22:03:00 -0500 on a cold december night in late 18th century amsterdam... those were the first words read by the first potential buyers of a new condominium project in hoboken, new jersey. why? because on this project for remi companies, a growing developer in the garden state, we had inherited a building that had to adhere to community architectural standards, which meant that this large, 128-unit behemoth looked like an anachronistic aberration for a new construction. the name had also been chosen by the developer. so instead of fighting our hand, we took advantage of it. we invented a mythology that revolved around a fictional idealist dutch architect named joost van der rohr who, on a cold december, feverishly took to his drafting table and, in a fit of inspiration, drew the plans for a utopian society he would come to call velocitus. centuries later, his american descendants razed his house in amsterdam and found those plans buried underground. ecstatic, they decided to build their great-great-great grandfather's dreams, where else but in new jersey. and they would search far and wide for more of joost's heirs to inhabit it.a poster was then sent to prospective buyers asking them if they were part of the family followed by a telegram two weeks later making them aware that they were and inviting them to the groundbreaking of the project. what happened is that people did not feel pressured to buy real estate, they did not feel like they were in the usual square footage race, they simply belonged. and by the time the offer was made clear, they were already hooked. they could also continue the experience online and in a motion graphic piece on the site. this project is a study of a client taking a risk with an unconventional approach, and it paying off! http://www.behance.net/Gallery/velocity/127832 on a cold december night in late 18th century amsterdam... those were the first words read by the first potential buyers of a new condominium project in hoboken, new jersey. why? because on this project for remi companies, a growing developer in the garden state, we had inherited a building that had to adhere to community architectural standards, which meant that this large, 128-unit behemoth looked like an anachronistic aberration for a new construction. the name had also been chosen by the developer. so instead of fighting our hand, we took advantage of it. we invented a mythology that revolved around a fictional idealist dutch architect named joost van der rohr who, on a cold december, feverishly took to his drafting table and, in a fit of inspiration, drew the plans for a utopian society he would come to call velocitus. centuries later, his american descendants razed his house in amsterdam and found those plans buried underground. ecstatic, they decided to build their great-great-great grandfather's dreams, where else but in new jersey. and they would search far and wide for more of joost's heirs to inhabit it.a poster was then sent to prospective buyers asking them if they were part of the family followed by a telegram two weeks later making them aware that they were and inviting them to the groundbreaking of the project. what happened is that people did not feel pressured to buy real estate, they did not feel like they were in the usual square footage race, they simply belonged. and by the time the offer was made clear, they were already hooked. they could also continue the experience online and in a motion graphic piece on the site. this project is a study of a client taking a risk with an unconventional approach, and it paying off! http://www.behance.net/Gallery/velocity/127832 Fri, 19 Sep 2008 22:02:47 -0500 it's not everyday you get the call to furnish a church for living. we jumped on a plane to london and dedicated ourselves to the task at hand by first looking at the fact that a family with two children would live here. this needed to be a friendly house as well as mindful of the once-sacred ground. by bringing in a lot of modern pieces of art, we subdued the seriousness while at the same time leaving the old stained glass windows intact so as to consider them as art objects as well. a color code was assigned to each room by way of solid rugs. simple furnishings were brought in as not to compete with the incredibly detailed shell. http://www.behance.net/Gallery/st_-saviours/127853 it's not everyday you get the call to furnish a church for living. we jumped on a plane to london and dedicated ourselves to the task at hand by first looking at the fact that a family with two children would live here. this needed to be a friendly house as well as mindful of the once-sacred ground. by bringing in a lot of modern pieces of art, we subdued the seriousness while at the same time leaving the old stained glass windows intact so as to consider them as art objects as well. a color code was assigned to each room by way of solid rugs. simple furnishings were brought in as not to compete with the incredibly detailed shell. http://www.behance.net/Gallery/st_-saviours/127853 Fri, 19 Sep 2008 22:02:53 -0500 a first time developer entered our offices a while back and said: "i just bought six buildings in brooklyn, what should i do with them?" our answer was, after having carefully studied the demographic information for the building and the surrounding areas, "why not take advantage of the social network movement that is sweeping the world?" the entire planet it seems is in front of the computers, logging in to make new friends. but what was the original social network? that's right, neighbors. together with aguayo & heubener, the property's exclusive marketing and sales agent, we set on creating a community, a place where one would easily share a cup of sugar and more. with each amenity belonging to one building or another, one has to travel next door or across the street in order to engage in the various activities offered. and when time came to choose a name for this community, it rolled off the tongue as the first thing we say when we meet new people: hello.since this property was directly offered to people who most likely were already involved in the online social network scene, we focused our marketing efforts where we knew they would find us. each building got its own mySpace page: http://www.myspace.com/hellomynameis957pacificst http://www.myspace.com/916pacificst http://www.myspace.com/hellomynameisdakota http://www.myspace.com/hellomynameishudson http://www.myspace.com/hellomynameismadison http://www.myspace.com/hellomynameismontana each with their particular likes, dislikes and centered around the amenity featured within.we also wanted to peel away the curtain to unveil the process behind the creation of such a project by making some really short films: http://www.youtube.com/view_play_list?p=CC98A29BF0275246 and giving it a flickr stream documenting the journey: http://www.flickr.com/photos/80968374@N00/ http://www.behance.net/Gallery/hello/124915 a first time developer entered our offices a while back and said: "i just bought six buildings in brooklyn, what should i do with them?" our answer was, after having carefully studied the demographic information for the building and the surrounding areas, "why not take advantage of the social network movement that is sweeping the world?" the entire planet it seems is in front of the computers, logging in to make new friends. but what was the original social network? that's right, neighbors. together with aguayo & heubener, the property's exclusive marketing and sales agent, we set on creating a community, a place where one would easily share a cup of sugar and more. with each amenity belonging to one building or another, one has to travel next door or across the street in order to engage in the various activities offered. and when time came to choose a name for this community, it rolled off the tongue as the first thing we say when we meet new people: hello.since this property was directly offered to people who most likely were already involved in the online social network scene, we focused our marketing efforts where we knew they would find us. each building got its own mySpace page: http://www.myspace.com/hellomynameis957pacificst http://www.myspace.com/916pacificst http://www.myspace.com/hellomynameisdakota http://www.myspace.com/hellomynameishudson http://www.myspace.com/hellomynameismadison http://www.myspace.com/hellomynameismontana each with their particular likes, dislikes and centered around the amenity featured within.we also wanted to peel away the curtain to unveil the process behind the creation of such a project by making some really short films: http://www.youtube.com/view_play_list?p=CC98A29BF0275246 and giving it a flickr stream documenting the journey: http://www.flickr.com/photos/80968374@N00/ http://www.behance.net/Gallery/hello/124915 Fri, 19 Sep 2008 22:02:35 -0500 during the night of icff 2008, we introduced a line of six different, well, stools. our point is this: everyday, we get told to reuse this, to save that, not to waste, not to stand idle while the planet dies... and all this while we have at our disposal one of the best, if not the most sophisticated recycling machine ever invented: the human body. and so, we asked why aren't we using what we have at the ready to resolve this crisis. and we did. the answer was inside of us all the time my friends and that is why we are proud to present the first furniture collection made out of human (un)waste.as you can see above, our designers have worked overtime to bring the future. each theaptPEEP, because of his or her diet, has created a unique piece that is a demonstration of how far the human spirit can go if pushed to the limit. "let's start a movement!" that was the battlecry at the party which is why we invited the hundreds of heros who were lucky enough to attend on saturday night to show that they gave a shit by taking a shit... at theaptPOOPSHOOT (http://theaptpoopshoot.tumblr.com/) see how we can all come together and make a difference. http://www.behance.net/Gallery/stools/127852 during the night of icff 2008, we introduced a line of six different, well, stools. our point is this: everyday, we get told to reuse this, to save that, not to waste, not to stand idle while the planet dies... and all this while we have at our disposal one of the best, if not the most sophisticated recycling machine ever invented: the human body. and so, we asked why aren't we using what we have at the ready to resolve this crisis. and we did. the answer was inside of us all the time my friends and that is why we are proud to present the first furniture collection made out of human (un)waste.as you can see above, our designers have worked overtime to bring the future. each theaptPEEP, because of his or her diet, has created a unique piece that is a demonstration of how far the human spirit can go if pushed to the limit. "let's start a movement!" that was the battlecry at the party which is why we invited the hundreds of heros who were lucky enough to attend on saturday night to show that they gave a shit by taking a shit... at theaptPOOPSHOOT (http://theaptpoopshoot.tumblr.com/) see how we can all come together and make a difference. http://www.behance.net/Gallery/stools/127852 Fri, 19 Sep 2008 22:02:41 -0500