Sarah Fabian Personal RSS Feed http://www.behance.net/sarazita "make a move and the bunny gets it!"-John Malkovich, Con Air in Con Air JM keeps threatening Nick Cage w/defacing his stuffed rabbit (gift for his daughter) but what if instead of a mangled bunny, the cutsie bunny would become a cubist rabbit? eh?? http://www.behance.net/Gallery/dada-la-ti-da/147263 "make a move and the bunny gets it!"-John Malkovich, Con Air in Con Air JM keeps threatening Nick Cage w/defacing his stuffed rabbit (gift for his daughter) but what if instead of a mangled bunny, the cutsie bunny would become a cubist rabbit? eh?? http://www.behance.net/Gallery/dada-la-ti-da/147263 Fri, 14 Nov 2008 16:53:18 -0600 portraiture, black and white, emotive, Orwell, down, desperation, vanishing point, boundaries, emotive portraiture, sketches, hope, love, female beauty, mother figure, cigarette http://www.behance.net/Gallery/vanishing-point/133568 portraiture, black and white, emotive, Orwell, down, desperation, vanishing point, boundaries, emotive portraiture, sketches, hope, love, female beauty, mother figure, cigarette http://www.behance.net/Gallery/vanishing-point/133568 Thu, 09 Oct 2008 10:37:28 -0500 A landscape inspired by Orson Scott Card's novel "Enchantment." Also, the background is taken from an area outside my former high school in Farmington, CT. In this project my objectives were to emphasize contrast, as seen in the tree bark, and creating depth. A graphite pencil sketch. http://www.behance.net/Gallery/Enchantment/95664 A landscape inspired by Orson Scott Card's novel "Enchantment." Also, the background is taken from an area outside my former high school in Farmington, CT. In this project my objectives were to emphasize contrast, as seen in the tree bark, and creating depth. A graphite pencil sketch. http://www.behance.net/Gallery/Enchantment/95664 Thu, 29 May 2008 10:00:03 -0500 Synchronicity. Essentially, I wanted to create a still life with high contrast and an intricate design and experiment with the folds of cloth, as in the ribbon. The core concept was taken from Jung's book entitled Synchronicity. 2006. http://www.behance.net/Gallery/Synchronicity/96964 Synchronicity. Essentially, I wanted to create a still life with high contrast and an intricate design and experiment with the folds of cloth, as in the ribbon. The core concept was taken from Jung's book entitled Synchronicity. 2006. http://www.behance.net/Gallery/Synchronicity/96964 Tue, 03 Jun 2008 12:58:20 -0500 A silk screen self-portrait from a childhood picture taken outside of our old home in Virginia. I am happy with how the color palette adds a nostalgic tone to the picture. 2005. An image of the transperancy used to make the final silk screen print, which is now part of the cover illustration to my silk screen prints scrap book for my print-makeing class. 2005. http://www.behance.net/Gallery/Dreaming/97630 A silk screen self-portrait from a childhood picture taken outside of our old home in Virginia. I am happy with how the color palette adds a nostalgic tone to the picture. 2005. An image of the transperancy used to make the final silk screen print, which is now part of the cover illustration to my silk screen prints scrap book for my print-makeing class. 2005. http://www.behance.net/Gallery/Dreaming/97630 Thu, 05 Jun 2008 18:01:55 -0500 An observational sketch, with themes of hope versus desperation, an example of emotive portraiture. 2005. http://www.behance.net/Gallery/Wings/98528 An observational sketch, with themes of hope versus desperation, an example of emotive portraiture. 2005. http://www.behance.net/Gallery/Wings/98528 Fri, 13 Jun 2008 10:36:04 -0500 This begins an experimentation with charcoal and themes of the American West. Charcoal because the medium is known as harsh, dry, difficult to manage cleanly as is the American frontier traditionally. This is a landscape shown distorted from the side-window of a moving automobile.2006. The image above corresponds to themes of isolation, poverty, and the necessity of continued effort immigrants to the American West must face even today. While the first image in this series portrays the view from the vehicle, this is the vehicle. This is the reality of the West whereas the other image inspires hope and the prospect of utopia. 2006. http://www.behance.net/Gallery/Back-formation/95670 This begins an experimentation with charcoal and themes of the American West. Charcoal because the medium is known as harsh, dry, difficult to manage cleanly as is the American frontier traditionally. This is a landscape shown distorted from the side-window of a moving automobile.2006. The image above corresponds to themes of isolation, poverty, and the necessity of continued effort immigrants to the American West must face even today. While the first image in this series portrays the view from the vehicle, this is the vehicle. This is the reality of the West whereas the other image inspires hope and the prospect of utopia. 2006. http://www.behance.net/Gallery/Back-formation/95670 Thu, 29 May 2008 10:13:01 -0500 Baldachin. Deriving influences from a variety of my favorite authors and artists; Diana Wynne Jones, Lewis Carroll, Peter Sis, Escher, Bernini. This is the first in a series of pen and ink illustrations directed at the exploration of self-awareness and identity in a world which itself is constantly redefining itself. 2006. http://www.behance.net/Gallery/Down-the-Rabbit-Hole/95684 Baldachin. Deriving influences from a variety of my favorite authors and artists; Diana Wynne Jones, Lewis Carroll, Peter Sis, Escher, Bernini. This is the first in a series of pen and ink illustrations directed at the exploration of self-awareness and identity in a world which itself is constantly redefining itself. 2006. http://www.behance.net/Gallery/Down-the-Rabbit-Hole/95684 Thu, 29 May 2008 10:52:00 -0500