In the past dozen years Corea has also emerged as one of the important urban designers working in South America, bringing the same clear analysis and dynamic patterns to large-scale planning as he does to architecture. In Rosario, Argentina’s third-largest city, he leads the design of a plan that controls sprawl … Read More
In the past dozen years Corea has also emerged as one of the important urban designers working in South America, bringing the same clear analysis and dynamic patterns to large-scale planning as he does to architecture. In Rosario, Argentina’s third-largest city, he leads the design of a plan that controls sprawl and establishes more compact, urbane patterns of use. And now the Province of Santa Fe has engaged him to establish a new overall plan to guide future urban planning and development in that area. Some of the well-over 100 projects included in this plan are now underway.
Architecture critic of the Boston Globe, Robert Campbell, FAIA, describes Corea as “an architect who has never lost faith in the Modern movement, but who has attained his own recognizable, individual way of working with it. His buildings are usually geometrically pure, precise, abstract compositions, richly modeled to be sure, but completely free of self-indulgent form-making of any kind. What gives them their special quality, again and again, is Mario’s skill and passion for all the ways in which you can introduce natural light into an interior, by means of unexpected openings and transparencies.”
In his sponsor letter, Edward Baum, FAIA, again noted that “All of Mario’s work carries his values: Architecture as a public venture, for the widest population, set in a civic context, celebrating the facts of building. Whether designing swimming pools for poor neighborhoods, or the 1992 Barcelona Olympics baseball venue, the connection to people and place is always clear.” Read Less