Overlaps of forms, around an apparent chaos determines order. Don'texist clear and well defined lines, and the faded colors of same photosremember the urban landscapes of Turner. Around an out of focus thatmake different the final image, also if is recognizable the subject .Is the time and the relation with itself that becomes the key ofreading of the world investigated by the series "Urban levels" whilethe space varies the perception created for overlapped levels. Iutilize the digital as a pictorial medium that offer me the possibilityto experiment radicals changes in the way of perceiving theinvestigated reality. As in the "Blue yellow photoliquids", also thephotos of this series are gotten processing more images. Anymore thedeterministic aspect of my job doesn't exist because isn’t possible toappraise previously the before one from the after, in comparison to adatum instant. It’s the objective impossibility to define these twomoments that allows to consider arbitrarily the final photo as theaddition of many instants not determined by my will. The perception isin relationship with each of the used images. The human presenceperseveres to be present in my photos and it is as a dialogue betweenthe place and who lives it crossing it same. In Urban Levels are inevidence the relations between the real and virtual public space. Inboth cases there are infinite points of view to which correspondinfinite virtual images. I have so defined, through the used technique,point of view and final shot in deterministic way. It’s the real thatis set in relation with the virtual space, merging into for levelstowards the symbiosis.