This piece speaks of the convergence between tradition and commercialism. A crisis of having the condition and nature of tradition shortchanged into a tool of prospering vested motivations; a dissipation of culture if you may. Tradition and history is aggrandized into a tool for trade and financial nexus.
The product is something so still and stark like the statues in the museum, but at the same time having instability and convergences and streams of perhaps diverges, (a rattling of energy) infringing upon it.
I still leave the interpretation open-ended, compelling the viewers to embrace or go against the tide of change, seeing how the subject can be seen as coming out of the vase or going back into obscurity.