Exhibited at Apha Ville Festival 2010, Onedotzero 2010, and part of the Autodesk Showreel 2011
The film attempts in part to graphically abstract the construction of the Royal Cabinets (see ROYAL CABINETS), In a dream-like labour of love. This abstracted reformation is a metaphor for this labour as well as representing the 'architecture of pieces' nature to the project. With the obsession for the object the film focuses on an assemblage of immense intricacy as the material slowly clusters to form the sculptural mail markets. Once formed the focus stays with the object, now in the form of the ornamentally re-branded building parts, before the nocturnal mail markets come to life, transforming into red jewels in the urban cityscape, becoming misplaced curious objects in themselves which have a strange visual balance of fragility and aggression.