Prague Studio

  • BENDING TYPOGRAPHIC RULES, BENDING MEANING //
    Typographic Manipulation 

    Immersed in the Czech culture, I found that I was constantly interpreting the language based on typographic choices in relation to each other. This dimensional poem commands a similar interpretation by the viewer. Illegibility used with blatant intention, reinforces the idea that personal
    preferences and biases towards typefaces will inevitably dictate our assumptions of the object or place being represented.