This series of images are studies of the motion of the camera and it's effects on the composition of the image. The objects in the field of view become distorted by the motion of the camera to the point where only their color and outer contours are visible. Light that comes through the objects in the view of the camera are the brush-tips and the motion of the camera becomes the motion of the brush. The white light becomes the top most layer and cuts through or covers whatever was picked up before it. Using these concepts, I'm attempting to intentionally create forms instead of waiting to see what emerges from experimentation.