The china clay mining
industry in Cornwall, England, is a shadow of its former self. Once producing around
50% of the world’s supplies, the industry has been in decline for some time,
with the workforce reduced by half in recent decades. Rising costs, and cheaper
supplies from countries like Brazil have left many projects economically
unviable. The environmental and social consequences are significant. And, despite
the hope of site re-development (like the Eden Project), the physical and emotional
scars remain. In recent years some spoil heaps have been re-generated, and some
mining pits re-developed for recreational uses. However, many projects remain
in limbo, awaiting a more favourable economic climate, or simply a formal
retirement.
In my observations here
I’m interested in how the man-made features of the environment have become a
metaphor for the emotional scars experienced by a once thriving community; open
wounds exposed to the elements, slowly healing, with any chance of a quick recovery
long gone. Pyramid-like spoil heaps rise like shallow graves, with ‘nature’ trying
to re-claim the ascendency, crudely camouflaging these ‘Cornish Alps’. In some
areas wooden stakes - supporting tree saplings - dot the landscape like wooden
crosses in a military cemetery, a poignant reminder of the natural cycle of
life and death. When one considers the
physical and emotional scars that dominate this region, it’s easy to note the
irony that china clay is the primary ingredient in porcelain: used to create
beautiful, decorative vases and ornaments. And yet, like the environment,
theirs is also a fragile existence.
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