Super-Ego-logija čoveka / Super-Ego-logic of man
Super-Ego-logija čoveka
Umetnički rad pod nazivom Super-Ego- logija čoveka se bavi pojmom samoaktualizacije kao društvenog fenomena. Ovakva socijalna pojava koja teži idealizmu, savršenom stanju uma i tela, može u velikoj meri da poprimi i patološke oblike ponašanja. U radu je plastično prikazana samoaktuelizacija društva koji postavlja sebi za pitanje da li je vizija savršenog bića i njenih ideala približno ista za svakog pojedinca? Do kojih granica se ambicije pune dobrih namera mogu preokrenuti i učiniti devijantnim? Koliko su i da li su podsvesno- nesvesne radnje jedan oblik autodestrukcije, odnosno atak ili prevrat na sopstveno biće proizvod naše samoaktualizacije? Rezultat, odnosno odgovor na samoaktualizaciju iz koje proizilaze sve ljudske devijacije je plastično skulptoralna figura čoveka sa dodatnim elementima kao što je njegova treća ruka koje je upotpunjuju.
Ishod je predstava čoveka kao nadograđenog -boljeg bića, a opet uprkos svemu deformisanog fizičkog izgleda. Kroz različite uglove sagledavanja ovakve predstave čoveka kao i kroz lična opažanja nameće se pitanje šta je u suštini od svega navedenog istina i koja je to granica i kada se samoaktuealizacija čoveka čini ispravnim postupkom, a kada pogrešnim. Postavlja se i pitanje da li treća ruka kao simbol samoaktualizacije predstavlja prednost ili manu pojedinca?
Super-Ego-logic of man
A work of art entitled Super-Egology of Man deals with the notion of self-actualization as a social phenomenon. A social phenomenon that strives for idealism and perfect state of mind and body, can easily take pathological forms of behavior. The work of art strikingly plastically presents the self-actualization of society, which raises a question of whether the vision of a perfect being and its ideals is approximately the same for each individual? To what extent can ambitions, full of good intentions, be reversed and made deviant? To what extent and are subconscious-unconscious actions a form of self-destruction, that is an attack or a coup on one's own being, a product of our self-actualization?
The result, that is, the answer to the self-actualization from which all human deviations arise, is a plastic sculptural figure of a man with additional elements such as his third hand that complete it. The outcome is the representation of man as an upgraded -superior being, and yet still with a deformed physical appearance. Through different ways of reading of such an representation of man, as well as through personal observations, the question arises: what is essentially true of all the above mentioned and what is the limit when self-actualization of man seems to be the right procedure, and when wrong. The question also arises as to whether the third hand, as a symbol of self-actualization, represents an advantage or a disadvantage of an individual?
A work of art entitled Super-Egology of Man deals with the notion of self-actualization as a social phenomenon. A social phenomenon that strives for idealism and perfect state of mind and body, can easily take pathological forms of behavior. The work of art strikingly plastically presents the self-actualization of society, which raises a question of whether the vision of a perfect being and its ideals is approximately the same for each individual? To what extent can ambitions, full of good intentions, be reversed and made deviant? To what extent and are subconscious-unconscious actions a form of self-destruction, that is an attack or a coup on one's own being, a product of our self-actualization?
The result, that is, the answer to the self-actualization from which all human deviations arise, is a plastic sculptural figure of a man with additional elements such as his third hand that complete it. The outcome is the representation of man as an upgraded -superior being, and yet still with a deformed physical appearance. Through different ways of reading of such an representation of man, as well as through personal observations, the question arises: what is essentially true of all the above mentioned and what is the limit when self-actualization of man seems to be the right procedure, and when wrong. The question also arises as to whether the third hand, as a symbol of self-actualization, represents an advantage or a disadvantage of an individual?
Textile sculpture
Super-Ego-logic of man
Materill: wool
Technique: felting wool, needle felting
Dimension: 43x75x150 cm.
Property: Museum of Applied Art in Belgrade
Tekstilna Skluptura
Super Ego Logija čoveka
Materijal: vuna
Tehnika: filcanje, igle za filcanje
Dimenzije: 43x75x150 cm.
Vlasništvo: Muzeja primenjene umetnosti u Beogradu
