The title, An Incomplete Totality, echoes humanity’s endless quest of sense-making; the restless and incessant pursuit of a complete truth derived from limited bodies of evidence. The portraits are disordered and obscured, form and context often merging, with only the circle resolutely holding the subject in place. 

The subjects freed of form but pinned down by a circle provoke a powerful conflict of opposing sentiments and extend the concept of portraiture. by divesting the circular form of all symbolism and meaning and freeing form from restrictive enclosures,  An Incomplete Totality asks us to question the validity of our own judgment.