I was looking for the scars at the wrong place
The sound of the disk represents the apparently invisible history of human kind, a history that builds up and resonates in us.
side specific installation, video is done at last day of the exhibition,
Today is an Uncanny Site - Synaesthesia
Group exhibition project in the bunker of the Galerie Wiensowski & Harbord
Curating: Ulrike Mohr
Today is an Uncanny Site - Synaesthesia
Group exhibition project in the bunker of the Galerie Wiensowski & Harbord
Curating: Ulrike Mohr
Berlin, Germany 2017
Often, underground spaces are part of an acquainted network. The physical experience of darkness, narrowness and moisture evokes unforseen imagination, hiding-place, transit space. The uncanny becomes a fragile state of disturbing, spatial disorientation. The term synaesthesia refers to the interconnection of several physically separated areas of our perception such as the combination of colors with temperature, numbers, letters and sounds. With sculpture, installation, video and performance, the artists developed individual, location-specific formats and opened up the content-related spaces as a dialogue of a contemporary sculpture discourse.
Often, underground spaces are part of an acquainted network. The physical experience of darkness, narrowness and moisture evokes unforseen imagination, hiding-place, transit space. The uncanny becomes a fragile state of disturbing, spatial disorientation. The term synaesthesia refers to the interconnection of several physically separated areas of our perception such as the combination of colors with temperature, numbers, letters and sounds. With sculpture, installation, video and performance, the artists developed individual, location-specific formats and opened up the content-related spaces as a dialogue of a contemporary sculpture discourse.
